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[4][5] Shogakukan collected its chapters in 16 tankōbon volumes, released from November 16, 2012, to July 19, 2018. [6][7] Dark Horse Comics announced on April 23, 2018, that they have licensed the series for English serialization in North America, with the first volume which was released on October 24, 2018. [8] A spin-off manga series titled Reigen was serialized online in Ura Sunday website and in the MangaONE mobile app starting on March 19, 2018. [9] Shogakukan released a compiled volume on February 19, 2019. [10][11] In March 2020, Dark Horse Comics announced the acquisition of the manga for English-language release. [12] The volume was published on December 2, 2020.

As such, this specific side of the show is one of the main reasons why Mushoku Tensei: Jobless Reincarnation is getting mixed feelings. It's not a comedy like Konosuba per se, but it has its fair share of comedic moments that are undeniably qualified as inappropriate. If you're one who can't bear with a pedophile of a main character and perverted jokes, then you may not find the show as promising as the score reflects.
Animations/Sound
Mushoku Tensei's setting is animated in rich natural textures with beautifully animated effects. Studio Bind does an exceptional job in incorporating ink-like paintings into the setting all the while maintaining a consistent usage of lighting to match with the tone of every scene. All of these elements combined together not only create a show that is bearable for the eyes, but also immerses you into the unfamiliar world. The music directing in the show is unique in that it incorporates the OP song with snippets of different scenes every episode. The soundtrack is typical of a fantasy show and there is not much to be noted besides the usage of a few arrangements to the last scene of a couple episodes.
Conclusion
Mushoku Tensei is NOT FOR EVERYONE. It prioritizes comedy over dramatic moments and disregards several imaginary borders that most animes would not cross. It is not an emotional rollercoaster that will pull at your heartstrings, do not expect badass fight scenes or numerous amounts of blood and gore.

[SMALL-TEXT]]

isekai shoukan wa nidome desu vostfr

Carol is surprised the next day at school when Tomo accepts unconditionally. Later, Tomo is stunned when Junichiro inadvertently reveals he dated Misuzu in middle school. 3"Best Bud's Secret"
Transliteration: "Shinyū no Himitsu" (Japanese: 親友の秘密)Masahiko SuzukiMegumi ShimizuTomoe MakinoJanuary 19, 2023 (2023-01-19)"Let's Go on a Date!"
Transliteration: "Dēto Shiyō ze!" (Japanese: デートしようぜ!)Noriko Hashimoto When a furious Tomo confronts Misuzu, Misuzu reveals their relationship lasted a mere three days. Later on, Tomo becomes happy when Junichiro tells her he has no current love interest. The next day, Junichiro meets Kosuke. Realizing he is Tomo's senpai in the karate club, Junichiro treats him harshly out of jealousy. Later that day, as Junichiro rides the bus with Kosuke, the latter discovers that despite being rough amongst themselves, Junichiro deeply admires Tomo. However, Junichiro again intimidates Kosuke the next day when he attempts to tell Tomo about their conversation. In a café, Misuzu tells Tomo that she should take Junichiro on a date. Once Junichiro excitedly accepts, Tomo receives help in buying clothes from Misuzu and Carol. The next day, she shows up to the date in her new attire. Distributed byTohoRelease date November 11, 2022 (2022-11-11) Running time122 minutes[1][2]CountryJapanLanguageJapaneseBox officeUS$316. 8 million[3] Suzume (Japanese: すずめの戸締まり, Hepburn: Suzume no Tojimari, lit. 'Suzume's Locking Up') is a 2022 Japanese animated coming-of-age fantasy adventure film written and directed by Makoto Shinkai. The film follows 17-year-old high school girl Suzume Iwato and young stranger Souta Munakata, who team up to prevent a series of disasters across Japan by sealing doors from the colossal, supernatural worm that causes earthquakes after being released. Produced by CoMix Wave Films, it features the voices of Nanoka Hara and Hokuto Matsumura, with character designs by Masayoshi Tanaka, animation direction by Kenichi Tsuchiya, art direction by Takumi Tanji, and its musical score was composed by Radwimps and Kazuma Jinnouchi, making it Shinkai's third collaboration with Radwimps and Tanaka, after Your Name (2016) and Weathering with You (2019). The film began production in early 2020, eventually being announced as completed by October 2022.
[39] The Monster manga has over 20 million copies in circulation. [40] Writing for Time, Pulitzer Prize for Fiction winner Junot Díaz praised the manga, proclaiming "Urasawa is a national treasure in Japan, and if you ain't afraid of picture books, you'll see why". [41] About. com's Deb Aoki called Monster a multi-layered suspense series and satisfying mystery that stands up to repeat readings, although it is sometimes a "little hard to follow". [42] Reviewing the Monster manga for Anime News Network, Carl Kimlinger called Urasawa a master of suspense "effortlessly maintaining the delicate balance of deliberate misinformation and explicit delineation of the dangers facing protagonists that only the finest suspense thrillers ever achieve. "[43] He commented that even the stories and characters that had felt unrelated to the greater picture are "eventually drawn together by Johan's grand plan. "[44] Kimlinger deemed the art "invisible perfection," never "showy or superfluous," with panels laid out so well that it is easy to forget how much effort is put into each and every page. [43] Though he did not find the characters' physical designs attractive,[45] he praised their expressiveness, writing that the characters "wear their personalities on their faces, communicating changes in their outlooks, psychology, inner thoughts and emotions with shifts in expression that range from barely perceptible to masks of rage, hate and fear. "[43] UK Anime Network gave the first volume a perfect score based on the engrossing story, but felt the artwork, while appealing, was not "groundbreaking". [46] On the other hand, Active Anime felt the art improved across the manga's serialization. [47] A.