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Retrieved July 19, 2016. ^ "Overlord, Vol. 4 (manga)". Hachette Book Group. Retrieved May 18, 2017. [permanent dead link] ^ "オーバーロード (5)" (in Japanese). Kadokawa Shoten. Archived from the original on December 2, 2021. Retrieved November 14, 2017. ^ "Overlord, Vol. 5 (manga)".

Boruto facing Shino. On another day, Boruto met the new transfer student Mitsuki, who he found strange. After his welcoming party, Boruto alongside other students subdue a construction worker at the academy who was being possessed. Boruto, Mitsuki and Shikadai Nara. were later called to the training field by Shino for an extracurricular class. Once their teacher appeared, Boruto noticed he was being possessed. As the students were being attacked by their teacher, they came up with a plan to subdue him. Once they defeated him, Shino ends up rescuing Mitsuki and Boruto who were on the verge of drowning in their attempt to defeat Shino. Later, as Shino voiced his decision to resign as teacher despite being possessed, the students convinced him to reconsider, apologising for their earlier statements. Later, growing concerned about this repeated and seemingly random attacks, Boruto and Shikadai begin discussing, trying to figure out the source behind them and why apparently only Boruto could see it. Later, they along with Mitsuki find several of the girls confronting Magire Kakuremino, a shy boy that is a student from a different class.

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[6] Grave of the Fireflies was Takahata's first animated film produced with Studio Ghibli. [11] Takahata insisted on working with well known animators Yoshifumi Kondō who was working for Nippon Animation at the time and Yoshiyuki Momose. [12] Both animators played a pivotal role in creating fluid, realistic animations of the characters in the animation. [13][14] Takahata drew from his personal experience to create a realistic depiction of the air raid on Okayama. In an interview, he criticized TV shows and movies that had recreated images of incendiary bombs, "They include no sparks or explosions, I was there and I experienced it, so I know what it was like. "[15][16] The film features Niteko-ike pond (ニテコ池), which is described as the "birthplace" of the novel and where Nosaka conducted his daily routines of dishwashing and personal ablutions. Notably, during the final days of the Pacific War, Nosaka, then 14 years old, sought refuge with his younger sister-in-law in a relative's house and nearby bomb shelters near the pond. [17][18] The location and background in the film is based on a style created by 18th century Japanese artist Hiroshige and his follower Hergé, who created Tintin. [19] Film critic Roger Ebert examines the contrast of the style of the background in comparison to the cartoonish animation of the characters. He claims that there is an unusual amount of detail in the evocative landscape, while the characters are a take on the modern Japanese animation with childlike bodies and enormous eyes. The depiction of Seita and Setsuko have Ebert believe that this deliberate animation style embodies the true purpose of animation, which is to recreate the raw emotion of human life by simplifying reality to emphasize ideas. Despite Tenma's attempts to reason with him, Johan shoots Junkers. Telling Tenma he could never kill the man who saved his life, he walks off into the night, with Tenma too shocked to stop him. Tenma is suspected by the police, particularly BKA Inspector Lunge, and he tries to find more information about Johan. He soon discovers that the boy's sister is living a happy life as an adopted daughter; the only traces of her terrible past are a few nightmares. Tenma finds Anna, who was subsequently named Nina by her adoptive parents, on her birthday; he keeps her from Johan, but is too late to stop him from murdering her adoptive parents. Tenma eventually learns the origins of this "monster": from the former East Germany's attempt to use a secret orphanage known as "511 Kinderheim" to create perfect soldiers through psychological reprogramming, to the author of children's books used in a eugenics experiment in the former Czechoslovakia. Tenma learns the scope of the atrocities committed by this "monster", and vows to fix the mistake he made by ending Johan's life. Production[edit] Urasawa revealed that he pitched the idea of writing a manga about the medical field around 1986, but could tell his editor was not enjoying the idea. So he jokingly proposed a story about women's judo, and that lead to his first solo work Yawara! (1986–1993). [3] The original idea for Monster came from the 1960s American television series The Fugitive, which had a strong impact on Urasawa when he saw it at the age of eight. In the story, a doctor is wrongfully convicted of murder, but escapes and searches for the real killer while on the run from the police.