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^ a b Blyden, Jabulani (January 28, 2016). "Marina Inoue, Yoshimasa Hosoya Join My Hero Academia Anime's Cast". Anime News Network. Archived from the original on February 1, 2020. Retrieved February 1, 2020. ^ Pineda, Rafael Antonio (February 10, 2016).

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Archived from the original on November 9, 2016. Retrieved May 17, 2017. ^ "2010年代TVアニメ 累計平均ランキング". 38. atwiki. jp (in Japanese). Archived from the original on July 29, 2022. Retrieved February 13, 2021. ^ Hodgkins, Crystalyn (November 15, 2020). "Fujifabric, Hatena Perform Theme Songs for Dr. Stone: Stone Wars Anime". [97][98] The player assumes the role of a rookie FBI agent who awakens in a strange hotel and attempts to escape with the help of L, who provides assistance via an in-game PDA. The story is set before the Kira investigation in the original series. [98] Several characters from Death Note appear in Jump Super Stars and Jump Ultimate Stars, a fighting game featuring multiple characters from Weekly Shōnen Jump titles. Light, Ryuk, and L appear in Jump Super Stars as support characters. Misa, Near, and Mello are added as support characters in Jump Ultimate Stars as well. [99][100] The 2019 video game Jump Force features Light and Ryuk as non-playable characters, playing a key role in the game's story mode. [101] Musical[edit] Main article: Death Note: The Musical In 2015, a musical adaptation of the manga called Death Note: The Musical ran in both Japan and South Korea. It was originally composed in English by Broadway composer Frank Wildhorn, with lyrics by Jack Murphy and book by Ivan Menchell. [102] An English production was announced in May 2023 to play at the London Palladium for two nights on August 21–22, 2023,[103] directed by Nick Winston starring Joaquin Pedro Valdes as Light, Dean John-Wilson as L and Frances Mayli McCann as Misa. [104] The original Japanese production, produced by Japanese talent agency HoriPro [ja], ran from 6 to April 29, 2015, and stars Kenji Urai and Hayato Kakizawa [ja] double-cast as Light Yagami, and Teppei Koike as L. [105] A Korean production of the same musical ran from June 11 to August 11, 2015, in South Korea, starring musical actor Hong Kwang-ho and JYJ member and musical actor Kim Junsu.
" Examples being its fictional nen ability, which is explained "so thoroughly that you almost think it could exist," and the little challenges and games the characters face; "Over and over Togashi invents some little closed system or rules just so the heroes can break them; if he ever wants to change careers, I'd suggest game designer. " Thompson praised the character art as great, pointing out how instead of alternating between realistic and chibi like other artists, Togashi has cartoony and realistic characters interacting in the same panels. Thompson did note how the artwork during its magazine run is often "sketchy" and missing backgrounds, but that Togashi goes back and fixes it for its collected tankōbon release. Mentioning Togashi's love of gore he stated "the whole manga is about the mixture of childish adventure and creepy, adult themes" and noted how some panels later in the manga are apparently censored for gore by being covered with screentone. [135] Reviewing the first story arc, Chris Sims of ComicsAlliance called Hunter × Hunter one of the most "fun, ridiculous, and ludicrously violent comics I've ever read. " He stated that while it has every stereotypical idea about shōnen manga in force, what sticks out the most is the violence. Sims summed it up as "full of clever setups and characters that, while simple to the point of almost seeming one-dimensional at times, still manage to be solid and entertaining based on their reaction to the increasingly strange, increasingly deadly events around them". [136] Charles Solomon, a writer for The New York Times and Los Angeles Times, praised the moral seriousness of Gon, a quality that gives the protagonist "an appeal his relentlessly upbeat counterparts lack". [137][138] Publishers Weekly gave a positive review to the first volume of the manga, stating that Togashi "shows a deft touch" with its standard story, calling his artwork "clear and graceful", and mentioning that his characters are "endearing and complex". [139] While Rika Takahashi of EX. org and Claude J.