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Thompson elaborated that with all the goals and subplots of each of the main characters, the story could seemingly go on forever and is unpredictable enough to hold reader interest. [21] In a different review for Anime News Network in 2012, Thompson wrote that it was hard to summarize the story because "it is every shōnen manga in one, with training sequences, tournament battles, a crime-mystery story arc, and a virtual-reality, RPG-style story arc". But unlike most shōnen manga, he called Hunter × Hunter "incredibly dense. " Examples being its fictional nen ability, which is explained "so thoroughly that you almost think it could exist," and the little challenges and games the characters face; "Over and over Togashi invents some little closed system or rules just so the heroes can break them; if he ever wants to change careers, I'd suggest game designer. " Thompson praised the character art as great, pointing out how instead of alternating between realistic and chibi like other artists, Togashi has cartoony and realistic characters interacting in the same panels. Thompson did note how the artwork during its magazine run is often "sketchy" and missing backgrounds, but that Togashi goes back and fixes it for its collected tankōbon release.

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[5] The incorporation of graffiti was suggested by Sato to further enhance the hip hop aesthetic and tone. He also suggested the inclusion of references to Warhol and Jean-Michel Basquiat. [40] Music[edit] See also: Music of Samurai Champloo The music for Samurai Champloo was collaboratively composed by Shinji "Tsutchie" Tsuchida of Shakkazombie, Fat Jon, Nujabes and Force of Nature. All were artists from the hip hop music genre, with Tsutchie being a friend of Watanabe. [42] A number of guest artists contributed to different episodes. [43] The opening theme "Battlecry" was composed by Nujabes, with Shing02 singing and writing the lyrics. [32] The ending themes were created by Minmi, Kazami, and Azuma Riki. The final episode's ending theme was "San Francisco", licensed from the rapper band Midicronica. [32][43] The Music of Samurai Champloo was released across four CDs during 2004 by Victor Entertainment under their JVC label. The first two, "Masta" and "Departure", were released on June 23. "Departure" focuses on tracks by Nujabes and Fat Jon alongside Minmi's main ending theme, while "Masta" includes work from FORCE OF NATURE and Tsutchie including "You". Elles portent les noms de : la maîtrise de l'eau, la maîtrise de la terre, la maîtrise du feu et la maîtrise de l'air[22]. En un cycle continu, une personne est capable de contrôler les quatre éléments. Elle est l'Avatar, l'esprit de la lumière incarnée sous la forme d'un être humain. Quand l'Avatar meurt, il se réincarne en un nouveau-né dans le peuple qui suit le sien, dans l'ordre des saisons : Hiver pour l'Eau, Printemps pour la Terre, Été pour le Feu et Automne pour l'Air[23]. Si la tradition veut que l'Avatar apprenne à maîtriser les éléments dans l'ordre, en commençant avec son élément d'origine, ceci peut être transigé quand la situation l'oblige. L'apprentissage du contrôle de l'élément opposé à l'élément d'origine est extrêmement difficile, car des maîtrises opposées sont basées sur des styles de combats et des doctrines opposées[24]. L'Avatar possède un pouvoir intrinsèque unique, l'état d'Avatar. C'est un mécanisme de défense qui confère à l'Avatar les compétences et la connaissance de tous les Avatars antérieurs. Quand l'Avatar entre dans cet état, ses yeux et ses éventuels tatouages s'illuminent. Cet éclat est la combinaison de toutes ses précédentes incarnations qui concentrent leur énergie à travers son corps. Cependant, si l'Avatar est tué lorsqu'il est en transe, alors le cycle de réincarnation est brisé, et l'avatar cessera alors d'exister à jamais[25].