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Askeladd's company finds employment as mercenaries under King Sweyn in the Danish invasion of London by the British and Thorkell the Tall, Thorfinn's uncle who served with Thors in the Jomsvikings. [7] When Thorkell takes Sweyn's son Prince Canute captive, Askeladd's company captures the prince with the intent of selling him to either side for a profit. Askeladd changes his plan to act on his personal agenda as a descendant of Artorius, to secure his mother's homeland of Wales from being invaded. Askeladd is ultimately forced to sacrifice himself by killing Sweyn during an audience when the king announces his plan to invade Wales, feigning madness as Canute kills him, so the Prince could take over Dane-occupied England without question. A shocked Thorfinn tries to assassinate King Canute, but is sentenced to a life of enslavement when stopped by Thorkell. [8][9] Slave Arc[edit] One year after Askeladd's death, Thorfinn works on a farm owned by Ketil, a rich farmer who treats slaves well. [10] He later befriends another slave named Einar who helps him treasure his life after learning of his past. With the help of Einar, and Ketil's father Sverker, Thorfinn learns to let go of his dark past. By this time, Canute has become both King of England and Denmark after poisoning his brother Harald, and begins a campaign with Ketil's farm, tricking Ketil's sons Thorgil and Olmar into justifying the seizure, with Ketil's men easily defeated by Canute's Jomsvikings. Thorfinn confronts Canute to convince him to spare the farmers. Upon witnessing Thorfinn's transformation into a pacifist, Canute relinquishes his claim to the farm.

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On writing the score, Lamboley commented: "To me, Lupin is all about heritage, a father passing on a literary heritage to his son, and the latter continuing the legacy in the present time. The question then became, how do I translate this in music? I decided to take a hybrid approach and mix my classical heritage with more modern sounds [. ] and this is what you can hear in the soundtrack: classical writing blended together with hip hop beats. "[40] Lupin (Music from Part 1 of the Netflix Original Series)Soundtrack album by Mathieu LamboleyReleased8 January 2021 (2021-01-08)GenreOrchestralLength34:00LabelMaisie Music Publishing Lupin (Music from Part 1 of the Netflix Original Series)No. TitleLength1. "Arsène"2:272. "Pellegrini"1:523. "Juliette"1:244. "Étretat"1:275. Kodansha. Archived from the original on December 10, 2013. Retrieved December 3, 2008. ^ 頭文字〈イニシャル〉D(48) (in Japanese). Kodansha. Archived from the original on December 10, 2013.
] the most celebrated cast in anime [. and] poster boy/protagonist Shinji is one of the most nuanced, popular, and relatable characters in anime history. — Nick Verboon, Unreality Mag (June 13, 2013)[159] Neon Genesis Evangelion received critical acclaim both domestically and internationally during its initial broadcast and in the decades since its release. [160][161][162] On review aggregator Rotten Tomatoes, the series has an approval rating of 100% based on 31 reviews, with an average rating of 8. 3/10. The website's critical consensus reads, "Neon Genesis Evangelion, both a cultural touchstone for Japan and an uncompromising auteurist vision by creator Hideaki Anno, doubles as an enthralling apex for the mecha anime genre and as a harrowing exploration of depression – making for a wholly singular epic about angels and inner demons. "[163] Paste, IGN, and Comic Book Resources have named it as one of the best anime series of all time. [164][165][166] The "richness" of the characters and "complex and layered" narrative has received praise by critics. [167][168][169] In 1998, Max Autohead of Hyper rated it 10 out of 10, praising the "brilliant and fantastic storyline, with amazing characters who pull you not only into their world, but into their psyche as well".