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Retrieved 24 September 2009. ^ "New York Times Manga Best Seller List, September 20–26". Anime News Network. 2 October 2009. Archived from the original on 5 October 2009. Retrieved 10 October 2009. ^ "American Anime Award Winners". ICv2 News. 27 November 2007. Archived from the original on 26 April 2013. Retrieved 12 December 2007.

Aside from the odd premise, there were other things that set Matrimelee apart from the rest of the SNK fighters. While normally you would receive some power for performing moves, that was not the case here. In fact, you only gained power for your super combos by getting attacked. On top of that, it was actually possible to block and counter immediately, but your opponent could just as easily do the same and counter your counter. All of this made Matrimelee one crazy, fast-paced fighting game. To add even more weirdness, Matrimelee is probably the only game ever to feature a remix of the classic "Wedding March" as a final boss theme.

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The only thing that remains this season is what Mushoku Tensei has always been at its core: An unsophisticated and unprofessional generic power fantasy isekai with fetishistic eroticism as its defining characteristic.
Mushoku Tensei wants to have its cake and eat it by being a pensive fantasy epic about redemption with immersive worldbuilding whilst incorporating trashy seasonal ecchi power fantasy elements operating on hentai . logic into its narrative. Instead, the former narrative style gets engulfed by the latter because the author can’t help himself and the end result is a sum lesser than the parts that reads like a degenerate fanfiction masquerading as a coming-of-age story. This disconnect plagued the first season and jeopardized any prospect of Mushoku Tensei being a serious story, but the second season thoroughly exposes this tonal and thematic mess as the failed assimilation of the two antithetical storytelling approaches that it is; this season only serving to expand the MC’s forced harem. To some, the insufferably grating MC is part of what makes this isekai special. In actuality, the series shows no signs of meta-commentary about this character chasing underage girls as a 21st-century first-world Japanese male inside a medieval fantasy world. The show instead fully embraces it and I suppose its only half-hearted attempt at self-awareness is always playing it off as laughs with the overreliance on vulgar humour. As with any joke, it stops being funny the nth time it's used. Subaru and Rem evade a fog blast, which Subaru realizes erases a person's existence, calling it a "Fog of Elimination". The armies begin to lose soldiers and Subaru yells out his "Return by Death" to draw the whale towards him and away from the injured soldiers. Wilhelm and Ricardo's unit follow Subaru and relentlessly attack the whale, but they suffer setbacks as Wilhelm gets swallowed by it and Ricardo is badly injured. As the fog clears, three whales are seen floating in the sky. 2121"A Wager That Defies Despair"
Transliteration: "Zetsubō ni Aragau Kake" (Japanese: 絶望に抗う賭け)Yoshinobu TokumotoEiji UmeharaAugust 22, 2016 (2016-08-22)[50][51] The armies become demoralized with the appearance of three whales. While running with Crusch and watching the armies battle two whales who attack them, Subaru notices the difference in fighting strength and the gouged left eye in all three whales.