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[23] By the mid-1930s, animation was well-established in Japan as an alternative format to the live-action industry. It suffered competition from foreign producers, such as Disney, and many animators, including Noburō Ōfuji and Yasuji Murata, continued to work with cheaper cutout animation rather than cel animation. [24] Other creators, including Kenzō Masaoka and Mitsuyo Seo, nevertheless made great strides in technique, benefiting from the patronage of the government, which employed animators to produce educational shorts and propaganda. [25] In 1940, the government dissolved several artists' organizations to form the Shin Nippon Mangaka Kyōkai. [a][26] The first talkie anime was Chikara to Onna no Yo no Naka (1933), a short film produced by Masaoka. [27][28] The first feature-length anime film was Momotaro: Sacred Sailors (1945), produced by Seo with a sponsorship from the Imperial Japanese Navy.

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[81][80] Guts, at the beginning of the story, is presented as an antihero who does not care about killing and is indifferent to people who aid him. Guts does not act in accordance with definitions of right and wrong, he operates within a gray area. Initially he does not attempt to be heroic or protect the innocent, though his self-motivated actions sometimes do so incidentally. [82][83] However, as the story progresses, it is shown that he is in fact a person who is deeply conflicted internally. [84][85] His tragic and traumatic past, unfolded in the Golden Age arc, shows Guts as a more complex character. [86][82][80] Anne Lauenroth of Anime News Network wrote that Griffith is "not evil at all," but "arrogant and brutally realistic about human nature.