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November 5, 2015. Retrieved September 25, 2021. ^ a b c d e "Interview: Akira in Color with Steve Oliff". Anime News Network. March 17, 2016. Retrieved September 25, 2021.

Sawa is a school girl, an orphan, and an assassin. She is being controlled by a corrupt cop who gives her targets to kill, detailing to her the crimes these men have committed in order to justify their death. 647 users added this. Shaman King [TV] Nekosama gave it a 9. Once in every five hundred years, the Shaman Fight Tournament is held, a battle between Shamans where the winner will be crowned Shaman King and granted the power to shape the world. The story follows Yoh Asakura, a care-free and lazy shaman who is isolated in their town due to his supernatural abilities.

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"The Most Underrated Shonen Jump Manga". Anime News Network. Archived from the original on June 24, 2021. Retrieved June 16, 2021. ^ Silverman, Rebecca (August 1, 2018). "Demon Slayer: Kimetsu no Yaiba GN 1 - Review". Anime News Network. Archived from the original on September 13, 2019. Retrieved February 21, 2020. ^ Douresseaux, Leroy (July 1, 2018). "Demon Slayer: Kimetsu No Yaiba Volume 1 manga review". Retrieved July 13, 2012. ^ "Top-Selling Light Novels in Japan by Series: 2012". Anime News Network. December 2, 2012. Archived from the original on December 4, 2012. Retrieved December 3, 2012.
While the Tiamat comet in Your Name (2016) and the concept of Weathering with You (2019) were ideas influenced by the natural disaster, Shinkai felt that he should "express the impact [he] felt through the earthquake and tsunami, instead of continuing to depict it as a metaphor. "[12][13] He feared that people's memories of the disaster start to become "hazy" over time, and by depicting the earthquake and tsunami in his film or novel, he could also share his memories with teens who were unaware of the disaster. [12] Shinkai also cited Kiki's Delivery Service, Guardian: The Lonely and Great God, and Haruki Murakami's novel Kafka on the Shore and short story "Kaeru-kun, Tokyo o Sukuu" (かえるくん、東京を救う, "Super-Frog Saves Tokyo") as influences for the film. [13][15] Shinkai and his staff planned the project from January to March 2020. They started developing the film's script in April, which is when the Japanese government declared a state of emergency due to the COVID-19 pandemic. [16][17] In an interview with TV Asahi, Shinkai mentioned that the pandemic had a less tangible effect on the film's production.