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There is absolutely no reason to read this except to say you read 20th Century Boys since it seems to be a hot topic amongst manga elitists.
20th Century Boys struggles with two main points throughout the story; keeping itself serious while maintaining mystery, and creating compelling engaging plotlines that won't put you into comatose. For a manga that is serialized in one of . the biggest names in seinen, you would expect a level of quality right? Wrong.

^ "Top-Selling Manga in Japan by Volume, #50-#100: 2012". Anime News Network. December 2, 2012. Archived from the original on February 10, 2013. Retrieved March 2, 2013. ^ "Top-Selling Manga in Japan by Series: 2013". Anime News Network. December 1, 2013. Archived from the original on March 20, 2015. Retrieved December 2, 2013. ^ "Manga With Biggest 1st Printings from Kodansha, Shogakukan, Shueisha".

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To give a gist of the premise, it’s set in an alternate Meiji era, where an unlikely duo, an Oni Slayer, and a head in a cage suffered the similar fate of their humanity being stolen by the same person, and thus, they chase after this villain, encountering mysteries along the way, making a name for themselves.
Dialogue-heavy shows can be a slog, but this anime certainly manages to capture your attention without being boring, to the extent of each episode flying by in a matter of what you think were just a few minutes. The characters command each scene very well, and the voice actors are certainly to be praised, especially the two main characters in Tsugaru Shinuchi, and Aya Rindou, voiced by Taku Yashiro and Tomoyo Kurosawa, respectively. Tsugaru kept my attention because of his cheeky personality, often making fun of his partner Aya, as well as not taking things too seriously. His humour is witty, perhaps corny, but he definitely made me laugh quite a few times. Aya commanded each scene so well despite only being a head in a cage. Who needs a body after all? Her voice actor, Tomoyo Kurosawa, really nailed the role, as she had such a presence in each scene she was in, with her deduction skills and her tone of voice that captured every bit of my attention. The duo’s dynamic is in my opinion, the best part of the anime, as it brings forth such contagious eccentricity and energy that sucks you into the world around them.
Another main positive about this show was definitely the directing prowess of Shinichi Omata, who previously directed Kaguya-sama: Love is War, and Showa Genroku Rakugo Shinjuu, coming into play once again. The whole show feels like a stage play, with the characters feeling like actors, the dialogue bouncing off each character with such ease, the general flow of the story just so fantastic. The art and animation itself isn’t particularly pretty, and I suspect the budget for this show wasn’t huge at all, but Omata’s directing really elevated the show’s quality to greater heights, as there’s just a distinct uniqueness about how the show looks. [47] Muse Communication licensed the series in Asia-Pacific. [48] The initial streaming of the series' 13th and final episode was inexplicably delayed by two days, which ended up airing on June 28, instead of June 26. [49][50] A new anime project was announced during the "Fantasia Bunko Daikanshasai Online 2023" livestream on October 14, 2023. [51] Episodes[edit] No. Title [52][53]Directed by [52]Written by [52]Storyboarded by [52]Original air date [54][d]1"To Another World"
Transliteration: "Isekai e" (Japanese: 異世界へ)Shingo TanabeShin ItagakiShingo TanabeApril 7, 2023 (2023-04-07) Middle school student Yūya Tenjō has been bullied since childhood due to his obesity, even by his own parents, who prefer his more attractive brother and sister. Yūya lives alone in a house he inherited from his grandfather, the only one to treat Yūya kindly.