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30/10. The website's critical consensus reads: "An achingly sad anti-war film, Grave of the Fireflies is one of Studio Ghibli's most profoundly beautiful, haunting works. "[49] Metacritic assigned the film a score of 94 out of 100 based on 16 reviews, indicating "universal acclaim". [50] Filmmaker Akira Kurosawa praised the film and considered it his favourite Ghibli production. He wrote a letter of praise to Hayao Miyazaki, mistakenly believing he directed Grave of the Fireflies. Miyazaki himself praised the film as Takahata's masterpiece, but criticized Seita for not behaving how he believes the son of a navy lieutenant should behave. [51] The film ranked number 12 on Total Film's 50 greatest animated films. [52] It was also ranked at number 10 in Time Out's "The 50 greatest World War II movies" list. [53] Empire magazine ranked the film at number 6 in its list of "The Top 10 Depressing Movies". [54] The film ranked number 19 on Wizard's Anime Magazine on their "Top 50 Anime released in North America". [55] The Daily Star, ranking the film 4th on its list of greatest short story adaptations, wrote that "There is both much and little to say about the film.”
Goblin Slayer is a dark fantasy manga-26211.html">anime adapted from both the manga and light novels of the same name, highly inspired by tabletop role-playing games. Initially the story follows a young woman known as “Priestess” that has recently become an adventurer and joins an upstart party on her first quest. Their naivety and inexperience ultimately lead to their grim demise, ravaged by goblins who commit heinous acts such as rape and dismemberment depicted in much more graphic fashion compared to other fantasy anime of recent years. Before the Priestess can be dispatched however, the actual protagonist appears from the shadows, intent of massacring every goblin in sight. From this point, the series is predominantly focused on this mysterious adventurer commonly referred to as “Goblin Slayer” and his efforts to exterminate the entire goblin species.
The beginning to this story gives what I believe to be a clear sense of what Goblin Slayer strives to be. Simplistic, cheerful dialogue to elucidate fundamentals of the adventurer system, a light-hearted tone able to create a strong optimistic mood, even the visuals and audio utilizing light colours for character designs coupled with an upbeat tune all try and convey a presentation akin to the typical fantasy anime of recent memory. The group of upstart adventurers each can be seen representing archetypes one would expect to be present in such a series: tsundere, loli character, main character for a harem, etc. Numerous times before a goblin appears on screen, subtle signs are revealed about the party’s lack of preparation and expectation to indicate this quest will not be as successful as they hope, and then what follows is a shocking realization of what the world of Goblin Slayer truly entails. Essentially these characters were tools for the series to subvert people’s initial expectations of the story, with the tragic events that entail further emphasizing this point. The sickening portrayal and detail of these actions going to further lengths than most anime fans have probably ever experienced previously in the medium.