vampire knight season 3 episode 1
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[36]
More broadly, research in countries such as Germany,[37] Canada,[38] the United States,[39] and the United Kingdom[40] has found that more attractive candidates benefit from their appearance by getting more votes in elections, and by being more often forgiven for scandals. [41] In terms of vote choice, at least, the effect of lookism is not even across all contexts. Rather, it appears to primarily matter in cases where voters have low-information elections where voters may have little other to base their vote on (such as non-partisan elections
with little media coverage),[39] first-past-the-post elections where voters chose a single candidate,[42] and in elections that are candidate-centered with a weak party system. [43] There are several variables that might contribute to the objectification of masculinity and femininity in politics. Scholar Charlotte Hooper argued that "gender intersects with other social divisions such as class, race and sexuality to produce complex hierarchies of (gendered) identities". [44] Hooper argues that institutional practices, such as military combat in war, have greatly defined what it means to be a man. Furthermore, the symbolic dimension, which includes sports, media, current affairs, etc. has "disseminate[d] a wealth of popular iconography which links Western masculinities to the wider world beyond the borders of the state". [45] This is where the ideology of lookism is firmly entrenched according to Hooper. Similarly, Laura Shepherd suggests that men are required to fit into the "matrix of intelligibility"[46] by acting a certain way, dressing a certain way, and have a mentality that is devoid of emotion or anything effeminate; if they are successful in becoming the ultimate "man's man" then they are virtually untouchable. However, others have suggested that there is only an explicit interest in the analysis of masculinity within this political sphere, it will be impossible to develop a reliable analysis of femininity within this same sphere.
