tokyo ghoul personnage mechant
"Power of Despair" (絶望の才能,
Zetsubō no Sainō) 9 May 15, 2020[33]978-4-06-518854-5November 16,
2021 (digital)[34]
October 17,
2023 (print)978-1-64-651666-7 68. "Promise" (約束, Yakusoku) 69. "Chaos" (大混沌(カオス), Kaosu) 70. "Dancing Boy" 71. "Friends" (ともだち, Tomodachi) 72. "Match Up!!" 73. "Ultra-Coordination" (超連動, Chō Rendō) 74. "Monster" (異次元選手(モンスター), Monsutā) 75. "Wild Dance" (乱舞, Ranbu) 76. "Can't Go Back" (もう戻れない, Mōmodorenai) 10
August 17, 2020[35]978-4-06-520360-6December 21, 2021 (digital)[36]
December 26, 2023 (print)978-1-64-651667-4 77. "All-Out" (本気, Honki) 78.
Additionally, he is a co-owner of Comic Basics and Voice Film. Hrvoje's writing career began in 2016 when he started writing for a Croatian film website he founded, Svijet Filma. Over the years, his work has been featured on LifeWire, Yahoo, and IMDb, among others. He is also the author of a cyberpunk neo-noir detective book titled 'Echoes of Tomorrow'. His favorite movies include 300, Conan, Alien, The Lord of the Rings, MCU, and Stargate franchises. His favorite shows are Doctor Who, Only Fools and Horses, Stargate, Seinfeld, Sherlock, Everybody Loves Raymond, Fringe, Poirot, Spartacus, and Rome.
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1. From a monetary perspective, it makes sense to draw influence from other works, for example: Disney’s Lion King took inspiration from Shakespeare’s Hamlet and Kimba, the White Lion (an anime from Osamu Tezuka, the creator of Astro Boy). Yet it doesn’t absolve those involved from imbuing their own ideas and nuances to create something worthwhile. Darling in the FranXX doesn’t seem to comprehend this point, as it overtly uses critical elements from several other anime as a faux attempt of appearing sophisticated.
For ease of reading, I have created a short list of instances that
were copied, slightly altered, or outright stolen from other anime (this is not all-inclusive, as there are countless examples):
-The underground city bears resemblance to Tokyo-3 and the Geofront from Evangelion.
-The mysterious men/women in the white uniforms that have significant influence are rip-offs of SEELE from Evangelion.
-The launch sequences are essentially mirror images of Evangelion’s launch sequences (see a theme here).
-There was some kind of testing that was being performed in the early episodes that paralleled the synchronization tests in Evangelion.
-Episode 6 of Darling in the FranXX has been compared to episode 8 of
Gurren Lagann. Which makes perfect sense, since Atsushi Nishigori (the director of Darling in the FranXX) was the director for episode 8 of Gurren Lagann, but this brings up a more serious issue: why is Nishigori reusing old ideas from over ten years ago? Not only that, but why is episode 6 of Darling in the FranXX a worse rendition of his earlier work (he couldn’t come up with improvements in all these years)?
-Episode 13 is a reverse retelling of Beauty and the Beast — in fact, the title of the episode is The Beast and the Prince (they’re not even attempting to disguise their intentions at this point).
-Episode 20 we find out that VIRM wants to annihilate the klaxosaurs who retreated underground, similar to the spirals (who lived underground) fighting the anti-spirals in Gurren Lagann.
