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When Emperor head to Akina their No. 2 racer, Seiji Iwaki, is defeated by Takumi, breaking their winning streak. Their leader, a professionally-trained driver named Kyoichi Sudo, challenged Takumi to a race at Akagi to “teach him some things” and as a sort of cover event for his race with Ryosuke, his primary target. Takumi declined his proposal at first but
eventually accepted after being infuriated with seeing Natsuki with a Mercedes Driver which left him at a disadvantage from the get-go. This race saw Takumi's Eight-Six blow its engine. While it may have been a defeat for Takumi, Kyoichi did not consider it a race instead considering it more as a seminar to show Takumi how much he needs a better car as he believes the Eight-Six is far too old to match Takumi's skill level. Kyoichi, believing in his street racing philosophy that professional circuit techniques were adequate to conquer the mountains passes, races Ryosuke who had the opposing philosophy that somehow, the fastest street racing required more than just what the circuit could teach. Ryosuke proceeds to defeat Kyoichi after noticing and exploiting Kyoichi's inability to tackle some right-hand corners with full confidence. When Kyoichi confronted Ryosuke about the loss, Ryosuke explains that their techniques and abilities are actually quite close but that Kyoichi's weakness were right-hand corners which, on Japan's right-handed roads, had the possibility of encountering head-on collisions. He goes on to cite how Kyoichi was unable to conquer this fear due to the fact that circuits don't have the danger of head-on collisions and that his home-course, Irohazaka, was a one-way road. This proved
once and for all to Kyoichi that street-racing had its own special requirements just as Ryosuke had believed.
[35] Themes[edit] In a January 2008 interview, Yukimura revealed that he was inspired to enter the manga industry by reading the manga Fist of the North Star as a boy. In the same interview, he said he had always wanted to produce a series which reflected the same themes of "strength and justice". [36] Yukimura added that one of his messages is that people should have ideals in order to have a prosperous life. [37] In contrast to the strong Vikings, the slaves were written as their complete opposite based on Yukimura's research. The slaves do not possess any power to protect themselves; Yukimura believed that the point of slaves is that they should have ideals something which readers should have too. [38] When writing Planetes, Yukimura struggled with writing a proper theme involving love and ways of living. As he was too young when writing Planetes, Yukimura was not satisfied with the way he handled it, and decided to explore it again with Vinland Saga. [39] While the series is notable for its degree of violence normally caused by Vikings, Yukimura claimed he hates the concept of violence. As a result, a key element in writing this story was relaxing his modern sense of morality. While Vikings were admired for their strength and had hero-like recognition, they were also written as people who are betrayed by their own comrades. [37] After several violent stories, Yukimura wants to focus on healing and forgiveness.
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