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Retrieved April 21, 2020. ^ Fleming, Mike Jr. (June 13, 2022). "Sony Pictures Taps Justin Lin To Direct 'One Punch Man,' Adaptation Of Manga Classic; Scott Rosenberg & Jeff Pinkner Scripting". Deadline Hollywood. Archived from the original on June 13, 2022.

FilmsUne adaptation au cinéma pour le manga Confession (Kokuhaku)
11/01 : La société GAGA Corporation a annoncé ce mercredi la production d'un film live basé du le manga Confession (Kokuhaku) de Nobuyuki Fukumoto et Kaiji Kawaguchi. Publié en 1998 dans les pages de la revue Uppers des éditions Kodansha, ce seinen sera porté à l'écran par Nobuhiro Yamashita (Linda Linda Linda). Le scénario sera signé Shuji Yuki et Ryo Takada. Annoncé pour le mois de mai prochain dans.

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TV Tokyo. Archived from the original on December 1, 2017. Retrieved May 18, 2013. ^ "Comic Natalie article on Haikyū!! radio drama" (in Japanese). Natalie. Archived from the original on February 26, 2021. Retrieved January 26, 2013. ^ "Licence 2 Eyeshield 21 Devil Bat Plush Toy". Eye on Asia. Archived from the original on March 14, 2014. ^ Calendrier 2010/2011 Eyeshield 21 [Calendar 2010/2011 Eyeshield 21]. "[87] Variety praises aspects of the film "from the imaginative and detailed design of tomorrow to the booming Dolby effects on the soundtrack" but criticizes the "slight stiffness in the drawing of human movement". [88] Chicago Tribune's Dave Kehr commends Otomo's "excellent animation-specific ideas: Vehicles leave little color trails as they roar through the night, and there are a number of dream sequences that make nice use of the medium's ability to confound scale and distort perspective". [89] From retrospective reviews, Anime News Network's Bamboo Dong commends the Limited Edition's DVD for its "superbly translated" English subtitles and the commendable English dubbing, which "sticks very close to the English translation, and the voice actors deliver their lines with emotion". [90] THEM Anime's Raphael See applauds the film's "astounding special effects and clean, crisp animation". [91] Chris Beveridge comments on the Japanese audio, which brings "the forward soundstage nicely into play when required. Dialogue is well placed, with several key moments of directionality used perfectly". [92] Janet Maslin of The New York Times commends Otomo's artwork, stating "the drawings of Neo-Tokyo by night are so intricately detailed that all the individual windows of huge skyscrapers appear distinct. And these night scenes glow with subtle, vibrant color". [93] Richard Harrison of The Washington Post comments on the pace of the film, stating that the author "has condensed the narrative sprawl of the comics to provide coherence, though there's a bit of "Back to the Future Part II" incompleteness to the story. That hardly matters, since the film moves with such kinetic energy that you'll be hanging on for dear life". [94] Roger Ebert compares the film to Mad Max, calling it "very gory, very gruesome, but entertaining in its own demented way.
Archived from the original on February 18, 2022. Retrieved April 30, 2022. ^ 東大リベンジャーズ(6) (in Japanese). Kodansha. Archived from the original on March 31, 2023. Retrieved March 31, 2023.