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The latter is best represented in the work by the morphing experienced by characters. [21] Susan J. Napier identified this morphing and metamorphosis as a factor that marks the work as postmodern: "a genre which suggests that identity is in constant fluctuation. " She also sees the work as an attack on the Japanese establishment, arguing that Otomo satirizes aspects of Japanese culture: in particular, schooling and the
rush for new technology. Akira's central image of characters aimlessly roaming the streets on motorbikes is seen to represent the futility of the quest for self-knowledge. The work also focuses on loss, with all characters in some form orphaned and having no sense of history. The landscapes depicted are ruinous, with old Tokyo represented only by a dark crater. The nihilistic nature of the work is felt by Napier to tie into a wider theme of pessimism present in Japanese fantasy literature of the 1980s. [22] According to Dolores P. Martinez, the serial nature of the work influenced the storyline structure,
allowing for numerous sub-plots, a large cast, and an extended middle sequence. This allowed for a focus on destructive imagery and afforded Otomo the chance to portray a strong sense of movement.
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1Characters 3Production Toggle Production subsection 3. 1Concept and development 3. 2Scenario and art design 3. 3Music 4Broadcast Toggle Broadcast subsection 4. 1Home media 4. 2Related media 5Reception 6Notes 7References Toggle References subsection 7. 1Bibliography 8External links Toggle the table of contents
Samurai Champloo 30 languages العربيةAzərbaycancaCatalàDeutschEspañolفارسیFrançaisGalego한국어HrvatskiInterlinguaItalianoעבריתLietuviųМакедонскиBahasa MelayuNederlands日本語Norsk bokmålPolskiPortuguêsРусскийSimple EnglishSlovenčinaSrpskohrvatski / српскохрватскиSvenskaTürkçeУкраїнськаTiếng Việt中文 Edit links ArticleTalk English ReadEditView history Tools Tools move to sidebar hide Actions ReadEditView history General What links hereRelated changesUpload fileSpecial pagesPermanent linkPage informationCite this pageGet shortened URLDownload QR codeWikidata item Print/export Download as PDFPrintable version In other projects Wikiquote From Wikipedia, the free encyclopedia 2004 anime television series Samurai ChamplooKey art depicting (left to right) Jin, Mugen, and Fuuサムライチャンプルー
(Samurai Chanpurū)GenreAdventure[1]Historical[2]Samurai[3][4]Created byManglobe MangaWritten byMasaru GotsuboPublished byKadokawa ShotenEnglish publisherAUS: Madman EntertainmentNA: TokyopopMagazineMonthly Shōnen AceDemographicShōnenOriginal runJanuary 26, 2004 – September 25, 2004Volumes2 Anime television seriesDirected byShinichirō WatanabeProduced byTakatoshi HamanoTakashi KochiyamaTetsuro SatomiWritten byShinji ObaraMusic byTsutchieFat JonNujabesForce of NatureStudioManglobeLicensed byCrunchyroll[a]
SEA: OdexUK: MVM FilmsOriginal networkFuji TVEnglish networkAU: SBS TVCA: Razer (Kamikaze)IN: AnimaxSEA: Animax AsiaUK: VicelandUS: Funimation Channel, Adult Swim (Toonami)ZA: AnimaxOriginal run May 20, 2004 – March 19, 2005Episodes26 (List of episodes) Samurai Champloo (Japanese: サムライチャンプルー, Hepburn: Samurai Chanpurū) is a 2004 Japanese historical adventure anime television series. The debut television production of studio Manglobe, the 26-episode series aired from May 2004 to March 2005. It was first partially
broadcast on Fuji TV, then had a complete airing on Fuji Network System. It was licensed for North American broadcast on Adult Swim, and for commercial release first by Geneon Entertainment and later by Crunchyroll. It was also licensed for English releases in the United Kingdom by MVM Films, and in Australia and New Zealand by Madman Entertainment.
