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They're both helping Baki with warming up. Shortly before the start of the fight, all of Baki's friends are arriving at the scene. Eventually, Yuujirou himself also arrives by helicopter. Gaia also arrives with him, who is beaten and kneels in front of the Ogre in act of respect to him. It turns out that shortly before Yuujirou arrived, Gaia decided to attack the Ogre and fight him. Baki and Yuujirou's battle starts with a sudden earthquake. Baki's father stops it by hitting the ground, and then everyone is extremely astonished. Baki does his best in the battle, but it turns out that he has no chance at all. His attacks do not make any effect against Yuujirou, even when he uses his Roll Kick trick. Nevertheless, the Ogre is very satisfied with his son's combat level. At some point, Baki's body is crushed into the ground and Yuujirou begins to bombard him with a series of blows to his face when the young fighter is lying unconscious.

Now, my speculation here is not to be taken for verbatim. However, there is little else that could explain the bizarre sexualization and characterization inside the series. Minenami Ryou has dabbled in ecchi in the past but to place nudity within Shounen no Abyss to the point where it dabbles on the line of ecchi/fan-service is a bizarre choice to say the least. Now, sex and romance (or lack thereof) is most certainly apart of Coming of Age and a massive causation of depression worldwide and of course most importantly, within Japan. Though, in no good mind can I find the reason for the female characters to be one minute rendering their soul apart in double page spreads of pure outbursts of sorrow, anguish and rage to the next issue be throwing themselves on our main character as if he was lathered in aphrodisiac. In order to justify these rapid moodswings and sudden appearances of intense thirst, Minenami Ryou has to apply rather tired character archetypes in order to placate the Young Jump crowd and editorial staff.

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5 out of 10. Zimmerman commended the series for its action sequences and wrote that the character designs are "thoughtful and creative", but criticized it for its lack of character development, prioritizing single chapter fights, and making it similar to other shōnen series. [56] Reviewing the first two volumes, Shaenon Garrity of About. com gave the series 2 out of 5 stars. She praised the manga's setting, describing it as a "hyperkinetic Halloween world that's equal parts Shaman King, JoJo's Bizarre Adventure, and The Nightmare Before Christmas", but stated that "snazzy visuals can't compensate for the bland characters and meandering story". Garrity concluded that the series' popularity comes from its anime adaptation, adding that it is "fun to look at, bright and vibrant and visually imaginative", and in contrast, the original manga is "a lot less fun to sit down and read". [57] Reviewing the first volume of Soul Eater: The Perfect Edition, Nicholas Dupree of Anime News Network gave it a B+. Dupree wrote that the series holds an inherent charm to its world and characters that is hard to find anywhere else, adding that the key is its "spooky, Spirit Halloween-esque design sensibilities". He pointed out, however, that the comedy did not age well, stating that the main characters' gimmicks become repetitive and unfunny, and he felt that its use of sexual humor and fanservice is "questionable at best", and would not blame uninitiated readers if they drop the series for it "being too much". Dupree concluded: "for whatever warts it bears 15 years later, there's still nothing quite like Soul Eater out there". [58] Anime[edit] In her 2008 Anime Preview Guide, Casey Brienza of Anime News Network wrote; "Though Soul Eater should not be surprising anyone with its standard tournament plot structure, it has some serious style to burn. ^ "Jump Ultimate Star – Death Note" (in Japanese). Nintendo. Archived from the original on July 5, 2013. Retrieved March 15, 2014. ^ "E3 2018: Jump Force's Death Note Characters Aren't Playable, But Involved For Story". GameSpot.