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From the minute the firebombing starts, viewers already have a clear enough sense of how this story plays out. With their home left in ruins and ripped away from their mother, what’s left is a tale of two kids still clinging onto one another alone in an uncharitable world, fending for themselves as best they can. But without a hopeful ending, it’s more akin to watching a slow death play out than otherwise. Director Isao Takahata makes these opening scenes count. In such a short span of time, he places the audience in a position where emotional attachment with the main characters feel genuinely crafted. We’re instantly drawn to Setsuko’s abundant wonder and childlike innocence, and likewise support Seita as he must transform into the parental figure his sister will need. We realise how food scarcity and a general lack of resources impacts them both above all others. And naturally, we can only feel sorry for the two. Their circumstance and untimely demise lie out of their control as both are reduced to mere numbers tallied to the body count their country holds.
For a film that illustrates a tragedy not suitable for most children, Grave of the Fireflies’ greatest strength lies in the fact that it exists as an animated feature.
^ 異世界でチート能力を手にした俺は、現実世界をも無双する2 ~レベルアップは人生を変えた~ (in Japanese). Fujimi Shobo. 20 April 2019. Retrieved August 19, 2022. ^ "I Got a Cheat Skill in Another World and Became Unrivaled in The Real World, Too, Vol. 2 (light novel)". Yen Press. Archived from the original on April 23, 2021. Retrieved April 23, 2021. ^ 陰の実力者になりたくて! 03 (in Japanese). Kadokawa Shoten.
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