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Isekai Ojisan, in my opinion, is that rare isekai that actually does break the mold. Because its premise thrives on the retrospective of having “finished” the isekai part already, the show makes no explicit effort to avoid the usual tropes. It embraces them and cleverly uses them to set up its jokes.
I’d be exaggerating if I said Isekai Ojisan is the funniest isekai I’ve ever seen, but I simply can’t get enough of its dry, meta humor. Paired with a relatively drab setting and a daffy soundtrack (complete with the goofy ukulele bend), the timing and delivery of the uncle’s lines are just awesome. He manages to look extremely incel-y but has the most dawg-esque personality you could ask for.

^ Koulikov, Mikhail (May 13, 2007). "Geneon Entertainment - Anime Central 2007". Anime News Network. Archived from the original on August 1, 2020. Retrieved January 9, 2020. During the question and answer session that concluded the panel, they mentioned that because Hajime no Ippo did not perform as well as hoped, it is not likely that Geneon will acquire the 2003 Hajime no Ippo - Mashiba vs. Kimura OVA. ^ Pineda, Rafael Antonio (September 14, 2020). "Discotek Licenses Rose of Versailles, Hajime no Ippo, Project A-Ko Anime". Anime News Network. Archived from the original on April 27, 2021.

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Visit MALxJapan MALxJapan -More than just anime- Your guide to 2024's Must-Read Manga is here 📖 Answer the Anime & Manga Survey to help shape the future of streaming Puppies, monster meat and k-pop loving yakuza?!?—here are Kodansha's top picks 📚 EditRelated AnimeAdaptation:Shokugeki no SoumaSide story:Shokugeki no Souma OVASequel:Shokugeki no Souma: Ni no Sara
More charactersCharacters & Voice Actors Yukihira, Souma Main Matsuoka, Yoshitsugu
Japanese Nakiri, Erina Main Taneda, Risa
Japanese Tadokoro, Megumi Main Takahashi, Minami
Japanese Nakiri, Alice Supporting Akasaki, Chinatsu
Japanese Isshiki, Satoshi Supporting Sakurai, Takahiro
Japanese Kurokiba, Ryou Supporting Okamoto, Nobuhiko
Japanese Mito, Ikumi Supporting Ishigami, Shizuka
Japanese Yukihira, Jouichirou Supporting Koyama, Rikiya
Japanese Aldini, Takumi Supporting Hanae, Natsuki
Japanese Hayama, Akira Supporting Suwabe, Junichi
Japanese
More staff Staff Kawase, Kouhei Producer Matsukura, Yuuji Producer Maruyama, Hiroo Producer Hara, Hirokazu Producer
Edit Opening Theme Preview Spotify Apple Music Amazon Music Youtube Music 1: "Kibou no Uta (希望の唄)" by ULTRA TOWER (eps 1-14) 2: "Rising Rainbow (ライジングレインボウ)" by Misokkasu (eps 15-24) Edit Ending Theme 1: "Spice (スパイス)" by Tokyo Karankoron (eps 1-14) 2: "Sacchan no Sexy Curry (さっちゃんのセクシーカレー)" by Seiko Oomori (eps 15-23) 3: "Kibou no Uta (希望の唄)" by ULTRA TOWER (eps 24)
Reviews Write review 240 Recommended 29 Mixed Feelings 17 Not Recommended All reviews (286) Mar 4, 2024 jupiter91 Recommended It's one of the most satisfying anime in every way. The story, the characters and the attention to details, especially when describing the dishes. The metaphors, they use are unique but in the same time understandable. Very diverse and beautifully executed animation. I am not sure how many times I re-watch this during the years. Excellent work. Love it ♥
/ maybe the only one kinda not positive thing about this anime is that it make me constantly hungry while watching 😅. I tried one of the recipes and it actually worked. I was out of ingredients at home and I took the . pp. 70, 77. ISBN 978-0-300-10285-7. ^ Hornyak, Timothy N. (2006). 英文版ロボット: Loving the Machine. Kodansha International. pp. 69–72. ISBN 978-4-7700-3012-2. ^ Saito & Azuma 2009, p.