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Anime News Network.
October 10, 2017. Archived from the original on June 23, 2018. Retrieved June 15, 2018. ^ a b Kothenschulte, Daniel (September 21, 2017). "Die
Heimlichkeit der Poesie". Frankfurter Rundshau (in German). Archived from the original on October 30, 2020. Retrieved February 24, 2021. ^ D'Anastasio, Cecilia (August 15, 2017). "A Silent Voice Is a Sensational Anime Movie About Bullying".
There’s the student council president, Sengoku and Remi who have their own unique dynamic. He is with her because he thinks she’s
weak and he
likes the feeling like he can protect her. But actually, she isn’t weak at all. Remi lets him feel that way on purpose because she likes him so much. Kouno is also very insecure because she’s always with Remi, who’s like an idol at her school, similar to Hori. They are together so much, that some students call them “Beauty and the Beast” beauty referring to Remi, beast referring to Kouno.
Shinkai’s love for Hayao Miyazaki and his approach to fantastical adventure storytelling is palpable and visible all throughout Suzume. But narratively, it shines through most brightly in the way that Suzume’s chance encounter with Sōta brings her face-to-face with a door to another dimension — and a
trickster cat deity called
Daijin (Ann Yamane, Lena Josephine Marano) who’s more than happy to leave the door open and let the worm monster try to cross over into Japan. In one of Suzume’s first shifts toward action that really speaks to how wondrously studio CoMix Wave Films is able to bring Shinkai’s ideas to life, there’s barely any time for Sōta to explain what the worm is or how he’s part of a long line of “closers” who’ve worked to keep its tendrils from crashing into the Earth and causing earthquakes. Suzume’s a quick enough student, though, and after she and Sōta manage to close the first portal, it isn’t long before she decides that she absolutely needs to accompany him on his journey to close more of them and make Daijin return to his post as a guardian keystone statue. In the same way that it was easy to read Shinkai’s Weathering With You as a reflection of what it means to live in a world upended by extreme climate change, in Suzume, you can clearly see Shinkai grappling with the Great East Japan earthquake of 2011 that killed nearly 20,000 people, injured thousands more, and caused catastrophic damage across the country. Though Suzume never feels fatalistic or at risk of becoming lost in the darkness of its metaphor, it also never lets you forget that each and every single instance of the worm bursting through a portal carries the risk of causing a calamity like the real-world 2011 quake.
