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Even the MCU will soon be getting in on the action with the introduction of Sentry in Thunderbolts. While some might be quick to dismiss Omni-Man as just another example of this trope, he's far from that. Part 2 continues to build on Omni-Man's semi-redemption while also still holding the character accountable for the massive amount of damage he caused in Season 1. Mark's arc, as he grapples with his feelings towards his father, and the latter tries to emotionally deal with the carnage he created, is more proof that superhero stories can be moving and grounded in humanity without having to forgo any of the action, violence, and humor that's typically expected. 'Invincible' Season 2 Part 2 Is Building to Something Much Bigger Image via Prime Video As was apparent in the first half of Invincible Season 2, the final four episodes are building up to something much bigger on the horizon. While there are occasions where these kinds of stories are nothing more than just setting the stage and teasing the audience about something bigger and better coming soon, that isn't the case here. These episodes both hint at what's to come and tell a mostly satisfying story about this dark chapter in the titular hero's journey. Invincible hasn't lost a single step. Not only does it continue to explore its memorable and complicated characters, but it also delivers spectacular action, some good laughs, and a massive amount of heart. If the series can maintain this quality in future seasons, it could easily become one of the best superhero series, live-action or animated, ever put on screen. Invincible REVIEWThe second half of Invincible Season 2 doubles down on character growth while still maintaining the same amount of action and violence.

[39] In 2022, a second stage-play ran from January 18–23 at KT Zepp Yokohama and from January 27–30 at the Sankei Hall Breeze in Osaka; it featured the same staff and Makishima reprised his role as Shinra. [40][41] Also in 2022, a third stage-play ran from September 17–25 at the Sunshine Theatre in Tokyo and from September 29 to October 2 at the Kyoto-Gekijo [ja] in Kyoto; Shinra was played by Ryoga Ishikawa. [42][43] Video game[edit] In May 2022, a video game titled Fire Force: Enbu no Shō (炎炎ノ消防隊 炎舞ノ章) was announced. It was released for iOS and Android on January 30, 2023. Mrs. Green Apple performs the game's theme song "Enen". [34][44] Reception[edit] By January 2018, the manga had 1. 8 million copies in circulation;[45] 7. 3 million copies in circulation by June 2020;[46] 10 million copies in circulation by July 2020;[47] 12 million copies in circulation by October 2020;[48] 15 million copies in circulation by April 2021;[49] 16 million copies in circulation by June 2021;[50] 17. 5 million copies in circulation as of February 2022;[51] and over 20 million copies in circulation by May 2022. [52] The series ranked thirteenth on the "Nationwide Bookstore Employees' Recommended Comics of 2017" poll by Honya Club online bookstore.

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Anime News Network. Archived from the original on February 3, 2024. Retrieved February 4, 2024. ^ Graphic Books and Manga Bestseller Monthly List: February 2020: Mateo, Alex (February 10, 2020). "My Hero Academia Ranks #8 on New York Times Graphic Books Bestseller's February List". Anime News Network. Archived from the original on November 18, 2022. Retrieved November 18, 2022. ^ 連載完結から5年. [18] Sadamoto designed the visual appearance of the characters so that their personalities "could be understood more or less at a glance". [22] The distinctive aesthetic appeal of the female lead characters' designs contributed to the high sales of Neon Genesis Evangelion merchandise. The design of Rei, in particular, became so popular that the media referred to the character as "Premium Girl" due to the high sales of books with Rei on the cover. [23] Production[edit] Director Hideaki Anno fell into a depression following the completion of work on Nadia: The Secret of Blue Water[24] and the 1992 failure of the Royal Space Force: The Wings of Honnêamise sequel project, Uru in Blue. [25] According to Yasuhiro Takeda, after the failure of Blue Uru Anno agreed to a collaboration between King Records and Gainax while drinking with King representative Toshimichi Ōtsuki;[26] King Records guaranteed Anno a time slot for "something, anything". [27] Anno began the development of the new series in 1993 around the notion of not running away, which had been the underlying theme of Aoki Uru, which focused on a protagonist accustomed to avoiding personal responsibility who finds himself trying to save the heroine of the story.