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"[4] Thompson, in a review for j-pop. com, also wrote: "Despite the slaughter, Berserk doesn't feel as amoral as it could be; our hero is a killer, but given his well-developed back story, his occasional tears of remorse seem more genuine than, say, Crying Freeman's. "[227] In another article, writing for Anime News Network (ANN), Thompson said that Berserk started as "the story of a lone swordsman traveling the world fighting demons with blood and sweat," and it was later turned into a "fantasy RPG party of heroes with a magic-user, a thief, a fighter, some elves, etc. ," commenting that Miura apparently was "aiming the series at a younger age group. " Despite this, Thompson stated: "I'm still impressed by Miura's great art and his ability to create such a long storyline with so much scope and (relative to other manga, at least) so little filler. No other seinen fantasy manga has such well-developed characters with such deep backstories, even for the minor characters. "[80] Matt Fagaly, writing for Crunchyroll, analyzed Berserk's use of shōnen and shōjo manga tropes in the Lost Children arc (volumes 14–16), which resulted in an "entirely original and moving narrative. " Fagaly commented about the arc protagonist, Jill, and her hopeful words at the end of that story, further adding: "I have never seen another Shonen or Shojo express this notion with the same audacity, depth, and idiosyncrasy as Berserk. "[228] Carl Kimlinger, writing for ANN, in his review of the thirty-fifth volume, compared Guts' "monster-plagued" trip to Elfhelm to the fantasy tales of Robert E. Howard and, in comparing the volume to the previous ones, he wrote that series dropped down a notch, although he stated that it was not a "disastrous drop," but "just the series falling back into a comfortable, classical adventure mode. "[229] Brittany Vincent of Otaku USA said: "Berserk is undoubtedly one of the most unique and engaging Western-style fantasies of all time.
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