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[26] Oliff persuaded Marvel to use computer coloring. The coloring was more subtle than that seen before and far beyond the capabilities of Japanese technology of the time. It played an important part in Akira's success in Western markets, and revolutionized the way comics were colorized. [27] Coloring lasted from 1988 to 1994, being delayed by Otomo's work on Steamboy. [26] Akira was the first comic in the world to be colored digitally, using computers. Its release in color led to the widespread adoption of computer coloring in comics and Oliff's work on Akira earned him three consecutive Harvey Awards for Best Colorist (1990–1992) and the first Eisner Award for Best Coloring (1992).

None of this is new or revolutionary, but it is a relatively good and successful approach. Nothing can go wrong with that, can it?
At least that would be the case if the author had any idea how to write a plot and use his protagonist.
This whole anime makes no sense, has no context, and is more random than my closet. Nothing here is explained and is done for the sole purpose of moving the story forward. No matter what you see, no matter who the protagonist suddenly meets, "It happened that way because the plot wanted it that way". You can cope with that a few times, every series has something like that, but here it's almost at every conceivable moment.
[Story & Characters]
As I said, the plot revolves around time travel, but it's not a one-off but a recurring one. The protagonist returns again and again to change the past. This whole concept of time travel makes no sense whatsoever, but it is what it is. His moving and emotional motivation to do this is the death of his former school friend Hinata Tachibana. Who he.

[SMALL-TEXT]]

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On the other hand it’s a lame excuse for their juchubruchu abilities to work. That’s right, if their opponent doesn’t know what hit him, he won’t get affected by them. How stupid is that? -The ending of the fights is also anticlimactic most of the times, because it’s left inconclusive. A good guy, usually the protagonist, will be butting in right before a conclusive strike, the bad guy will be running away, and nothing will be resolved. It will be leaving you with blue balls since it’s not satisfactory. All this flying and shooting and screaming will amount to absolutely nothing. It’s sakuga for the sake of sakuga, there is no catharsis at the end. -There is also a good guy who is so powerful, no bad guy stands a chance against. The only way a good guy will bother to fight is if there is a lame excuse for why Reverse Kakashi is not present for ending everything in a few seconds. Which is why he will be often mysteriously away on a trip, or a barrier specifically designed for him will be keeping him out of the fight. Just lame excuses, since he kills all the tension and the stakes the moment he appears. ^ "Shueisha Games' Captain Velvet Meteor: The Jump+ Dimensions Manga Crossover Switch Game Launches on July 28". Anime News Network. June 28, 2022. Archived from the original on June 29, 2022. Retrieved June 29, 2022. ^ "Hell's Paradise: Jigokuraku Stage Play Adaptation Gets Its Cast Members, Venue And Premiere Date". Crunchyroll. November 27, 2022. Archived from the original on January 29, 2023. Retrieved January 29, 2023. ^ 「ジャンプ+」人気No.