l'attaque des titans saison finale notepad for windows
per ep. Rating: R - 17+ (violence & profanity)
Statistics Score: 8. 651 (scored by 740233740,233 users) 1 indicates a weighted score. Ranked: #712 2 based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded. Popularity: #93 Members: 1,364,741 Favorites: 43,823
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Streaming Platforms Crunchyroll HIDIVE Netflix More servicesMay be unavailable in your region. Details Characters & Staff Episodes Videos Stats Reviews Recommendations Interest Stacks News Forum Clubs Pictures More Info Top > Anime > Made in Abyss 8. 65Ranked #71Popularity #93Members 1,364,741Summer 2017TVKinema CitrusAdd to My ListWatchingCompletedPlan to WatchSelect(10) Masterpiece(9) Great(8) Very Good(7) Good(6) Fine(5) Average(4) Bad(3) Very Bad(2) Horrible(1) Appalling Episodes: /13PV 2playMore videos EditSynopsisThe Abyss—a gaping chasm stretching down into the depths of the earth, filled with mysterious creatures and relics from a time long past. How did it come to be? What
lies at the bottom? Countless brave individuals, known as Divers, have sought to solve these mysteries of the Abyss, fearlessly
descending into its darkest realms. The best and bravest of the Divers, the White Whistles, are hailed as legends by those who remain on the surface.
Riko, daughter of the missing White Whistle Lyza the Annihilator, aspires to become like her
mother and explore the furthest reaches of the Abyss.
[12] Over the course of the series, two people assume the identity of Friend:
Fukubei, who is one of Kenji's schoolmates, initially appears to be one of Kenji's allies, and Katsumata, another of Kenji's schoolmates, the
latter of whom actually possesses special powers. In the kanzenban edition of the series, which has a different ending, Kenji realizes that Fukubei died after elementary school graduation and Katsumata learned everything about him to imitate him perfectly and take on his identity as a child, meaning Katsumata was Friend throughout the entire series. [13] Inshu Manjome (万丈目 胤舟, Manjōme Inshū) A junk-peddling con artist allied with Friend who becomes one of the Friendship Democratic Party leaders. His real name is Junichiro Manjome (万丈目 淳一朗, Manjōme Jun'ichirō). He originally met the boys in the early 1970s when selling knick-knacks such as space food and spoons, claiming them to be cutting edge modern innovations from NASA. Upon discovering that Fukubei had a spoon bending talent, he recruited him for a TV show in 1972, but the two were labelled frauds. [14] In 1980, the financially struggling Manjome was recruited by Fukubei to aid him in creating "Friend". [14] In 3FE, after Friend reveals to him his intention to destroy humanity and that he is not Fukubei, Manjome asks Kanna and Otcho to kill Friend. Manjome is killed by Takasu while playing the virtual reality game created for Friend Land. Otcho (オッチョ) Kenji's childhood friend, whose real name is Choji Ochiai (落合 長治, Ochiai Chōji). [12] Around 1988, he was sent to Thailand by his Japanese trading company, but went missing for a week; upon his return he quit the company and divorced, and a year later was in India.
The introduction of each character is literally an on-screen text box that disappears after barely one second has time to pass, and while the thoughtlessness of this presentation speaks for itself, reading the text and actually trying to see these characters as people, let alone as friends, is completely disastrous.
Riveting personality traits such as, “seems to like anime and stuff,” are detailed within. I mean, holy fucking seriously?!?! There’s no way this is supposed to be from God Yuichi’s perspective, right? Was this a description of his best friend, or one-third of the nation of Japan?! Not only are these depictions inane, but they’re simply unnecessary, because there are absolutely ZERO relevant personality traits you need to know about any character to actually watch the show. These people are not friends nor are they people; they’re stock character templates whose job is to stand around passively while getting used or manipulated by God Yuichi without the slightest hint of having any agency of their own, completely sapping the conflicts of any excitement or worthwhile drama, all the while only committing to expressing themselves in the most generic mannerisms that their archetypes allow. I suppose the point is to make God Yuichi look cool so the viewers can use the series as some sort of sadistic self-insert power fantasy to get off on the idea of themselves being this much of an edgelord (please, get real, no one is as godly as God Yuichi), but this has the same effect as seeing LeBron James dunking on blind, deaf, disabled, amputee toddlers. Ultimately, these conflicts are meaningless because
everyone just moves right onto the next equally tedious and overblown stage of the Squid Game while effectively nothing has changed or evolved in any real or emotional terms, and this is all true even despite the biggest puff of
smoke the series insists on blowing up its own ass: the plot twists. The so-called plot twists in this show are completely empty and have no real bearing on the story in the same way that the conflict has no real bearing on the plot, and some of them—many of them, in fact—are invalidated within minutes. They exist purely for characters to have an excuse to make an edgy face.
Things will be moving toward the single OBVIOUS direction, someone will randomly pop in with some utter buffoon shit which, in the mind of any reasonable fucking person on the planet, would only make themselves seem more suspicious than the person they’re accusing, but everyone will just be like, “OMG that’s so smart! I didn’t even think of it like that! So let’s all adopt that line of thinking now and go the complete opposite direction so the contrivance that is this stupid fucking game can keep being turned into a shitty anime!” It’s SO all over the place with who is and isn’t playing 4D chess! In one set-up, one character will be a smirking, Machiavellian edgelord engineering the psychology of everyone around them, and in the next, it’s someone completely different. Whoever needs to be the devil on the shoulder of whichever character can successfully become so instantly, and if the person they need to manipulate actually had their wits about them in previous scenes, their wits will very quickly be not-so-about them, and they’ll prance blindly into whatever trap they need to prance into to keep the contrivance train rolling. The resulting mess is too frustrating for words, and while the characters are all horribly written, I guess the show succeeded in making you emotionally engage with them anyway, because their braindead decision-making will—I promise—make you want to tear your Goddamn eyes out.
