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1". Sequential Tart. Archived from the original on July 1, 2021. Retrieved March 28, 2022. ^ a b Neatrour, Anna (September 15, 2020). "Chainsaw Man, Vol 1".
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Karim M'Riba
Hiam Abbass
Patrick TimsitEdited byMichèle Péju [1]Music byGabriel YaredDistributed byFrance:
Diaphana
Italy:
Lucky RedRelease dates May 21, 2006 (2006-05-21) (Directors' Fortnight) October 25, 2006 (2006-10-25) (France) [1]Running time99 minutesCountriesFrance
Belgium
Spain
ItalyLanguagesArabic
French[2]Budget€9,000,000 (estimated)Box office$11,939,023 [3] Azur & Asmar: The Princes' Quest (French: Azur et Asmar) is a 2006 animated fairytale fantasy film[2] written and directed by Michel Ocelot and animated at the Paris animation and visual effects studio Mac Guff Ligne. It was released in theaters in North America as just Azur & Asmar. It is Ocelot's fourth feature, though his first wholly original creation since Kirikou and the Sorceress, and his first use of 3D computer graphics, albeit an atypical employment of this medium with two-dimensional, painted backgrounds and non-photorealistic rendering. Like most of his films it is an original fairy tale, in this case inspired by the folklore (such as the One Thousand and One Nights) and decorative art of Maghreb, Algeria and especially Morocco [1] and with an increased degree of characterisation relative to his previous works which pushes it into the genre of fairytale fantasy.
Karim M'Riba
Hiam Abbass
Patrick TimsitEdited byMichèle Péju [1]Music byGabriel YaredDistributed byFrance:
Diaphana
Italy:
Lucky RedRelease dates May 21, 2006 (2006-05-21) (Directors' Fortnight) October 25, 2006 (2006-10-25) (France) [1]Running time99 minutesCountriesFrance
Belgium
Spain
ItalyLanguagesArabic
French[2]Budget€9,000,000 (estimated)Box office$11,939,023 [3] Azur & Asmar: The Princes' Quest (French: Azur et Asmar) is a 2006 animated fairytale fantasy film[2] written and directed by Michel Ocelot and animated at the Paris animation and visual effects studio Mac Guff Ligne. It was released in theaters in North America as just Azur & Asmar. It is Ocelot's fourth feature, though his first wholly original creation since Kirikou and the Sorceress, and his first use of 3D computer graphics, albeit an atypical employment of this medium with two-dimensional, painted backgrounds and non-photorealistic rendering. Like most of his films it is an original fairy tale, in this case inspired by the folklore (such as the One Thousand and One Nights) and decorative art of Maghreb, Algeria and especially Morocco [1] and with an increased degree of characterisation relative to his previous works which pushes it into the genre of fairytale fantasy.