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If you get rid of the problems many people, including me, have with the portrayal of some issues, then the first season of Mushoku Tensei becomes a polished version of what a lot of other isekai try and fail over and over again. Some do it with some success, but those are few amongst the can of worms that the isekai genre is. So Mushoku Tensei undeniably falls on the better side of the isekai scale, lopsided as that scale may be.
Mushoku Tensei fans like to call it the “Grandfather/Mother of isekai”, but I doubt the validity of these claims because several other popular isekai novels had already come out before it, and SAO (talking about the anime here) might not be an isekai, depending on what your definition of isekai is, but that’s the one that started off the boom of what has basically become a genre now.
Talking about fans, some fans even claim that the people who have issues with pedophilia, rape, etc and how the anime portrays these in good light, are soft snowflakes. According to them, anyone who thinks these things are actually a problem shouldn’t use their own morals on a show.
As a protagonist, Rudues is agonizing to watch. This holds especially true for the first half of the season, as he seemed to not even care about how creepy some of his actions were. He’s a degenerate in the truest sense of the word, with very little to redeem his character. I understand he has trauma because of the bullying he was victim to in his first life, but that doesn’t justify his actions. Of the few flashbacks we got of his previous life, he was shown to have been fapping to child porn at the time of his parents’ funeral.

Archived from the original on 1 July 2017. Retrieved 1 June 2017. ^ "Boruto: Naruto Next Generations Episode 3: "Metal Lee Goes Wild!"". IGN. 20 April 2017. Archived from the original on 30 May 2017. Retrieved 1 June 2017. ^ "Can Boruto Live up to Naruto's Legacy?". IGN. 25 May 2017. Archived from the original on 31 May 2017.

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"iQIYI Adds 7 Fall Anime for Southeast Asia". Anime News Network. Archived from the original on October 8, 2021. Retrieved October 8, 2021. ^ iQIYI Thailand [@iQIYI_Thailand] (September 22, 2021). "ลาย 🟩◼ มันคุ้นๆมั้ยน้า? 🌊มาเล่นเกมหาคํากันดีกว่า ทายกันเข้ามาเลยว่า #อนิเมะ เรื่องใหม่ที่กําลังจะฉายบนแอป #iQiyi และเว็บ iQ. com คือเรื่องอะไร?! 😎" (Tweet) (in Thai). Retrieved September 25, 2021 – via Twitter. ^ bilibili thailand [@bilibilith] (September 25, 2021). "ประกาศ 🎉🎉 Demon Slayer: Kimetsu no Yaiba Entertainment District Arc จะออกอากาศ เร็วๆ นี้ !!" [Announcement 🎉🎉 Demon Slayer: Kimetsu no Yaiba Entertainment District Arc will be streamed soon !!] (Tweet) (in Thai). Retrieved September 25, 2021 – via Twitter. 81 20151010 Shinmai Maou no Testament Burst TV, 2015Finished 10 eps, 23 min Action Fantasy Romance Ecchi Shinmai Maou no Testament Burst Basara Toujou has a hard life. He is the older step-brother to two demonic sisters, Mio and Maria Naruse, whom he protects from entitled demons looking to claim Mio's power for themselves. On top of that, rising political tension within the demon realm only makes his job more difficult. When a messenger arrives with summons for Mio to the demon realm, she and her friends go in spite of the danger. Now on the enemy's turf, Basara will have to grow stronger through erotic pleasure in order to do the impossible and protect everyone. [Written by MAL Rewrite] StudioProduction IMS SourceLight novel ThemesHaremMythology 6.

1907),[20] a private work by an unknown creator. [21] In 1917, the first professional and publicly displayed works began to appear; animators such as Ōten Shimokawa, Seitarō Kitayama, and Jun'ichi Kōuchi (considered the "fathers of anime") produced numerous films, the oldest surviving of which is Kōuchi's Namakura Gatana. [22] Many early works were lost with the destruction of Shimokawa's warehouse in the 1923 Great Kantō earthquake. [23] By the mid-1930s, animation was well-established in Japan as an alternative format to the live-action industry. It suffered competition from foreign producers, such as Disney, and many animators, including Noburō Ōfuji and Yasuji Murata, continued to work with cheaper cutout animation rather than cel animation. [24] Other creators, including Kenzō Masaoka and Mitsuyo Seo, nevertheless made great strides in technique, benefiting from the patronage of the government, which employed animators to produce educational shorts and propaganda.