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The series is set in 2071. The solar system has been colonized by humans after a cataclysmic disaster rendered Earth nearly uninhabitable 50 years earlier. With the majority of Earth’s survivors scattered across the lawless far reaches of outer space, chaos ensues. Criminal organizations like the Syndicate are running rampant, so the understaffed Intra-Solar System Police (ISSP) enlists the services of bounty hunters (also known as cowboys) to help capture wanted criminals. That’s where our ragtag bunch of bounty hunters comes into play. Spike Spiegel (John Cho) Meet the broke-boi cowboy who’s fueled by cheap noodles and smartassery.
The moment you start trying to "figure out" AGK's issues is the moment you're "doing it wrong," so let's proceed to dispell that idea right now by asking the impossible question: what the "purpose" behind this wonderful work of artistic vandalism was.
So what was it about? An active effort to discuss subserviency in society? The oppressive consequence that occurs when "absolute power corrupts absolutely?" A tale of personal ideals clashing, resulting in bloody politics? A sobering story of discrimination?. Well, honestly speaking, no. It was about none of that. Overthinking anything that AGK does would be no different than waxing philosophical for the reason behind Patrick Star's Hawaiian shorts. There's no pretense behind AGK's actions, and as long as the viewer doesn't graft any grandiose ideas onto it, it could be enjoyed for what it truly is: schlocky, over-the-top deaths with shounen characters that had the stylistic sensibilities of a seinen but the emotional authority of a 15-year-old's wet dream.
And you know what? That's just fine. I sure had fun watching it. A silly thing, flailing about with no sense of purpose or integrity.