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[23] According to Kodansha USA's Naho Yamada, "Akira ignited a new generation of dynamism not only in manga but also in European and American comics. Its impact shattered all borders. "[72] The Essential Guide to World Comics states that the translation of the work into French in 1991 by Glénat "opened the floodgates to the Japanese invasion. "[73] The imagery in Akira, together with that of Blade Runner, formed the blueprint for similar Japanese works of a dystopian nature of the late 1990s, such as Ghost in the Shell and Armitage III. [24] Yamada also said that "Otomo jacked into his generation's frustration with society, in the wake of the defeat of Japan's liberal student movement, and created an epic that, in true Japanese fashion, processed societal trauma through cataclysmic visual symbolism. "[72] Writing for The Japan Times, Matt Schley said "For many readers, Akira was a revelation. Each panel features a head-spinning amount of detail, and Otomo, an avowed film buff, keeps things moving at a breathless, cinematic pace. "[72] In her book The Fantastic in Japanese Literature, Susan J. Napier described the work as a "no holds barred enjoyment of fluidity and chaos". [74] Akira cemented Otomo's reputation and the success of the animated adaptation allowed him to concentrate on film rather than the manga form in which his career began. [6] Katherine Dacey of MangaBookshelf called Akira one of manga's "greatest sci-fi epics.

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Korean Film Biz Zone. January 7, 2019. ^ Chin, Mallory (February 5, 2020). "Netflix Announces 'Kingdom' Season 2 Release Date". Hypebeast. Retrieved February 6, 2020. ^ a b c d e "Mysteries of Kingdom Series To Be Unravelled By Kingdom: Ashin Of The North, A Special Episode Starring Gianna Jun and Park Byung-Eun". Netflix News. November 1, 2020. Retrieved November 2, 2020. ^ "MYSTERIES OF KINGDOM SERIES TO BE UNRAVELLED BY KINGDOM: ASHIN OF THE NORTH, A SPECIAL EPISODE STARRING GIANNA JUN AND PARK BYUNG-EUN". [18] Development[edit] With Akira, Otomo wanted to "dig deeper into [his] issues" with speed and flow, telling a story with as few words as possible, "edit it to gain that sense of speed and make people read it faster, and at the same time make them stop cold at the important scenes. "[14] When it started, he was drawing 20 pages a chapter, for a total of 40 pages a month. Otomo began the process for each chapter by fully completing the first page as practice. In order to save time, he did not bother with character-pose sketches or the like; he drew directly onto the page he was submitting to the editors. After he drew each page, his assistant inked the lines of the buildings and the rest of the backgrounds with a Rotring pen and a ruler. Otomo would complete the rough draft two days before his deadline. He would spend half a day drawing the characters, then finish the buildings by adding dust, crevices and cracks to windows. Otomo estimated that they would finish the final rough draft at 5 a. m. on Sunday, ink the characters by 7 p. m.

[17] Initially, Boruto required a line of sight and certain distance for his clones to work and could only handle up to 3 clones. [35] Later, he could handle creating dozens of clones regardless of position. [36] In the anime, he entered a temporary contract with Garaga, letting him summon the giant snake at any time. [26] Likewise, he formed a kinship with snakes, able to befriend random snakes to aid him. [37] He can also perform Cooperation Ninjutsu and Fūinjutsu, able to use both to restrict a person's movements and expand the might of this alongside fellow users. [38] Boruto later learned the Rasengan, originally as a small ball between both hands and later at normal size using a single hand. In the anime, he later learned to throw it as a projectile[39] or even compress it for greater power. [40] After gaining greater control over Momoshiki's power, he was capable of using the Ultra-Big Ball Rasengan. [41] During his three years from Konoha, Boruto learned to harness the Earth's natural rotation through his Rasengan, using it to permanently confuse and disorient his opponent. He also learned Space–Time Ninjutsu. While not as adept as his grandfather, Boruto can use the Flying Thunder God Technique, which he can use to even teleport across dimensions.