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"Embracing Your Ambitions in the Light (Part 11)" 94. "Embracing Your Ambitions in the Light (Part 12)" 95. "Embracing Your Ambitions in the Light (Part 13)" 11 December 16, 2022[49][50]978-4-06-529989-0
978-4-06-529990-6 (LE)May 2, 2023 (digital)[51]
April 30, 2024 (print)[52]978-1-68491-929-1 (digital)
978-1-64651-949-1 (print) 96. "Once in a Lifetime, Over and Over" 97. "What Do You Game For? – Oikatzo's Reply" 98. "What Do You Game For? – Pencilgon's Reply" 99. "A Straight Flush, With a Joker Mixed In" 100. "The Perishable Delivery" 101. "The Scarlet Whale and the Monster of the Sea" 102. "The Foul-Weather, Heavy-Waves San Check" 103. "The Die Had Already Been Cast" 104.

Teaser VictoireLa Flamme. Teaser AnneLa Flamme. Teaser AlexandraLa Flamme. Continuer la navigation pour parcourir la dernière catégorieLe Making OfMaking Of - L'arrivée des prétendantesLa FlammeMaking Of - Le présentateurLa FlammeMaking Of - La FinLa FlammeMaking Of - Les guests starsLa FlammeMaking Of - Les cérémonies des billetsLa FlammeMaking Of - Ce que pensent les prétendantes de MarcLa FlammeMaking Of - Ce que représente La Flamme pour les prétendantesLa FlammeMaking Of - Un portrait de MarcLa FlammeMaking Of - Un portrait du Docteur JuipheLa FlammeMaking Of - Un portrait de Jonathan Cohen et Jérémie GalanLa FlammeMaking Of - La Flamme en quelques chiffresLa FlammeMaking Of - De Burning Love à La FlammeLa FlammeLe Casting de la saison. MARC
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40"Grimmer"
Transliteration: "Gurimā" (Japanese: グリマー)Yukihiro MiyamotoTatsuhiko UrahataFebruary 2, 2005 (2005-02-02)March 1, 2010 Wolfgang Grimmer is a freelance journalist and former East German investigating allegations of child abuse and psychological reprogramming in former East Germany orphanages. While on a train to Prague, he shares a booth with Tenma. When guards arrive to arrest Tenma, Grimmer assists him to escape and then helps him across the border. In Prague, Grimmer confronts Petrov, the former director of 511 Kinderheim about his involvement. 41"The Ghost of 511"
Transliteration: "511 no Bōrei" (Japanese: 511の亡霊)Tomoki KobayashiMasahiro HayashiFebruary 9, 2005 (2005-02-09)March 8, 2010 Grimmer presses Petrov for records of 511 Kinderheim, but he denies that he was present during the revolt. Grimmer tails Petrov, then realizes that he is running a boy's orphanage. He plays soccer with the boys from Petrov's orphanage, and when they return they see notice a woman who resembles Anna Liebert leaving the orphanage. They find the assistant Anna dead and Petrov mortally wounded. Before he dies, Petrov blames Johan for the disaster at 511 Kinderheim and provides Grimmer with a key to a safety deposit box containing evidence of Johan's early years. 42"The Adventures of the Magnificent Steiner"
Transliteration: "Chōjin Shutainā no Bōken" (Japanese: 超人シュタイナーの冒険)Tomohiko ItōMasatoshi HakataFebruary 16, 2005 (2005-02-16)March 8, 2010 Inspector Filip Zeman of the Prague police questions Grimmer about the death of Petrov and a blonde woman suspected of the crime. After leaving the police station, Grimmer is abducted by former members of the Czechoslovakian StB, Chesmir Mirat, Yakov Suacek. Despite the story problems, "Saint Seiya" had a lot going for it.
But then Sancuary mercifully concludes. They must have caught up to the manga because they immediately began anime-original material. I think anime-original arcs are cool opportunities to explore the characters more and take a different tack on the series. What the show desperately needed at this point was a reprieve from constant fighting. Maybe Seiya could have spent some time with any of the three women the show was shipping him with on-and-off, much to my chagrin. Maybe Hyoga could have spent time mourning his mother. Maybe Shiryu could have gone to the Wulau Peaks to have nice scenes with Shunrei. No. What we got was the Asgard Arc, which is one of the absolute worst shonen battle manga stories I have ever encountered. A legitimately 1/10 storyline with nothing going for it that runs for ANOTHER 25 EPISODES.
Aomine is a poorly written-character as well. He was growing tired of competing since he was better than everyone else around him, so why didn't he just move on and play against bigger competetion? This happens all the time in real life, where younger people play up. It was Aomines choice to play against worse competetion, so why does he still play in the lower leagues? I found myself not caring about a single character because nobody is playing for anything meaningful. The main 2 characters are trying to get attention for how lucky they were for being born with basketball abilities; Kise doesn't even like basketball and also just wants to be cool like Aomine. Aomine thinks he is better than everyone and also doesn't want to play the sport, and we don't even know what Midorima is playing for. The only characters with some sort of actual motivations happen to be the side characters, who will never even be useful on a team no matter how hard they train.