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There’s no background to his character to at least give us an idea of why he wants to take up adventuring in the first place. He’s an example of the ‘play it safe’ approach to characters. By stripping him of any hard-hitting character faults he gains likeability but at the same time becomes a lot less interesting.
Then there’s the pint-sized goddess Hestia who has a bust size and a temperament trying to outdo each other in volume. As annoying as her character can be at least her affection for Bell, compared to the rest of the female cast, actually makes sense. Bell is her only familia member so it’s understandable that she’s going to be a little clingy.

” To me, this is very obvious. The tangible plot of Sonny Boy is a straightforward mystery box which just so happens to have a great deal of surreal elements, but this simplicity is a good thing, because with all the symbolism and character details you already have to keep track of, any narrative structure more complex than this would’ve been way too overbearing and—now that I mention it—probably would’ve made the series as confusing as everyone already says it is. What makes the cast so good is a combination of the expressive character animation I mentioned earlier and the fact Natsume personally wrote the script for every episode, making every character feel consistent. I was actually worried about him writing, because while Natsume is a fantastic director, I wasn’t sure how confident I was in his ability to direct AND write his own original project. While his themes weren’t as profound as he might've hoped, his character writing was first-class, and while some episodes were definitely more verbose than necessary, he still proved my worries wrong. There’s a cute, snarky cat girl whose cats work for Jeff Bezos at Nyamazon, an Indian exchange student who literally invents bitcoin, a New York Yankee’s fan who builds a religion around baseball playing monkeys, and a five thousand year old talking dog. This idiosyncratic charm defines nearly every character, and the few exceptions are still well-realized and serve as a much needed anchor.
Rereading everything I’ve written here, I suppose there’s always a chance I’m subconsciously handwaving parts of the show which are obviously lacking, or perhaps I’m similarly making excuses for what the average viewer may see as wasted potential by overselling what already stands out, but I sincerely think this is one of the most visually compelling anime to come out in years, and aesthetically speaking, I’m not sure if an anime has ever resonated with me in quite the same way. I imagine it's a simple lack of all the abhorrent digital filters, aftereffects, bloom, and other post-production alterations which are layered on top of every modern anime, but this show is just SO gorgeous. It looks like it has all the hand-painted goodness of older anime, but also the crisp visual resolution of digital anime. Its internal consistency is incredible.

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11. But had died before reaching the final boss. In Desir's current life, Pram was a weak swordsman as he was using a broadsword, contrary to the shortsword that he was using in Desir's prior life. Pram was picked up by Desir to join his party and was trained to further improve upon his swordsmanship skills. Pram was known for his speed being able to maximize his swordsmanship to deal damage while avoiding enemy attacks. Due to his smaller frame, he is also able avoid fatiguing himself also. Due to the potential Desir sees in him, Pram becomes very trusting and obedient towards Desir to the point of wanting to prove to the other students that Desir is the strongest tutor around. Ajest Kingscrown In Desir's prior life, Ajest was cold and distant but was very strong and reliable. She was one of the few that had survived all the way to the final boss dragon in the first chapter. In the current timeline, the initial meeting between Ajest and Desir did not go as planned as Ajest acknowledged that Desir was a very weak opponent. After Desir had won just barely in their fight primarily due to his knowledge of Ajest's abilities in his previous life, she become interested in him and desires to surpass him. ' Any opinions expressed in the examples do not represent those of Merriam-Webster or its editors. Send us feedback about these examples. Word History Etymology Adjective Middle English vacabounde, vagabounde, borrowed from Anglo-French & Late Latin; Anglo-French vacabunde, borrowed from Late Latin vagābundus, from Latin vagārī "to wander, roam" (verbal derivative of vagus "moving freely, wandering") + -bundus, deverbal adjective suffix (akin to Latin fuī "I was," Old English bēon "to be") — more at vague, be First Known Use Noun 15th century, in the meaning defined above Adjective 15th century, in the meaning defined at sense 1 Verb circa 1586, in the meaning defined above Time Traveler The first known use of vagabond was in the 15th century See more words from the same century Dictionary Entries Near vagabond vag- vagabond vagabondia See More Nearby Entries Cite this Entry Style MLA Chicago APA Merriam-Webster “Vagabond. ” Merriam-Webster. com Dictionary, Merriam-Webster, https://www. merriam-webster.