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Je le verrai demain. ● (être spectateur) assister à qqch to see voir un film to see a movie Voulez-vous venir avec nous voir une pièce de théâtre ? ● (rendre visite) rencontrer qqn to see aller voir un ami to go see a friend Je suis venu vous voir, vous n’étiez pas là. ● (consulter) consulter qqn to see Tu devrais voir le médecin ! You should see a doctor! aller voir un spécialiste du cœur ● (considérer) se faire une idée de qqch to see Je ne vois pas les choses de cette façon. I don’t see things that way. Il voyait les choses de haut. voir le jour ● naître to emerge n’avoir rien à voir avec qqn ou qqch ● ne pas avoir de rapport avec qqn ou qqch to have nothing to do with sb or sth Je n’ai rien à voir avec cette décision ! I have nothing to do with that decision! Il n’avait rien à voir dans cette dispute.

The directing is phenomenal in really setting the atmosphere and the eerie tone in the more important scenes, but also can change into a very light tone in more comedic scenes. The backgrounds show us the backdrop of urban decay, rather than just flat out telling us. The soundtrack contributes to the atmosphere a lot too, as Kensuke Ushio, who composed music for anime like Chainsaw Man, A Silent Voice, and The Dangers in My Heart, did a great job yet again here to convey the occasional emotional gut punch, or to get us even more uncomfortable in a horrifying sequence. Everything about the production overall was at a very high level, and after seeing the staff behind it, I can see why. It was truly a legendary team of people producing a passion project from start to finish, with the art director Yuji Kaneko, numerous elite episode directors and storyboarders in Haruka Fujita, in which it’s her first work outside of Kyoto Animation, Kai Ikarashi, who worked on Cyberpunk: Edgerunners as well as the Turning Point episode of Mushoku Tensei, and also Toshimasa Ishii, who directed 86: Eighty-Six. I would also love to shout out Hirotaka Mori, since it was his directorial debut in the anime sphere.
The characters were quite a strong part of the series as well, with Kiruko and Maru’s relationship and chemistry being quite the highlight of the show. The dialogue between them felt quite natural and organic, like bros just having a great time together, rather than forcing romance into the dynamic in a contrived manner. That said, as this show has quite a focus on human nature, there is an element of romance there, but it’s more that the show tries to explore human emotions, sexuality, and gender, so how the relationship is handled is quite natural and interesting to watch. They both have past traumas, and I have stated in my past reviews about my disdain for “sob story backstories”— but when an anime can build upon the traumatic past with developments in the present time, it can work well.

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Tatsuya Kato, Hiroaki Tsutsumi, and Yuki Kanesaka composed the series' music. [30] The series aired from July 5 to December 13, 2019 on Tokyo MX and other networks. [31] It ran for 24 episodes. [32] The first opening theme is "Good Morning World!" by Burnout Syndromes, while the series' first ending theme is "Life" by Rude-α. [33] The second opening theme is "Sangenshoku" by Pelican Fanclub, while the series' second ending theme is "Yume No Youna" by Saeki YouthK. [34] A second season of the anime adaptation was announced after the first season's finale. The second season focused on the story of the "Stone Wars" arc from the manga series. [35] Subtitled Stone Wars, the second season aired from January 14 to March 25, 2021. [36][37] It ran for eleven episodes. [38] The opening theme for the second season is "Rakuen" by Fujifabric, while the ending theme for the second season is "Koe?" by Hatena. [39] A sequel to the TV series was announced after the second season's final episode aired. Garp surmised that Kong was talking about the World Nobles’ "field trip" and reminded Kong that he had told him many times not to mess with Hachinosu, and not to underestimate the Rocks Pirates wanting to take back the island's "treasure". Garp then asked what Kong had to be scared of if he had escorts, but when Kong mentioned Roger was involved, Garp immediately declared that he was going. However, the Rocks Pirates had already left Hachinosu. On God Valley, while the competition was underway, Ivankov started rallying several people by telling them that none of them would escape from this "game" alive, and when it was all said and done, the events would be hidden from the history books. Some people believed that they would go free if they survived the three weeks of the competition, but Ivankov stated that was a lie to give them false hope in order to make the game more interesting. Therefore, if they wanted to live, they needed to move right now.