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Reviews Write review 37 Recommended 17 Mixed Feelings 16 Not Recommended All reviews (70) Jun 25, 2020 bambamba Recommended Preliminary (16/? eps) This manga is an uncomfortable read, in the best possible way. it's early on in serialization, so this review is pretty premature, but the characters are wonderfully debased and they feel free to express the darkest sides of themselves. They feel sympathetic, even though you know they're making the wrong choices. It's cathartic in a way to see these characters be so darkly sexual.
There are multiple ways to see every story, of course, and some may see it as a simple harem fantasy with emo elements. I see it as a scary mixture of sexuality with some of the darkest emotions humans can have. . in addition, it captures a corruption of adolescent discovery that wallflowers may find relatable. possibly upsettingly so.
[61][62] Public reactions[edit] After the international release, it has been noted that different audiences have interpreted the film differently due to differences in culture. For instance, when the film was watched by a Japanese audience, Seita's decision to not come back to his aunt was seen as an understandable decision, as they were able to understand how Seita had been raised to value pride in himself and his country. Conversely, American and Australian audiences were more likely to perceive the decision as unwise. [63][64] Accolades[edit] Year Award Category Recipient Result 1989 Blue Ribbon Awards Special Award Isao Takahata Won 1994 Chicago International Children's Film Festival Animation Jury Award Won Rights of the Child Award Won Derivative works[edit] Planned follow-up[edit] Following the success of Grave of the Fireflies, Takahata drew up an outline for a follow-up film, based on similar themes but set in 1939 at the start of the second World War. This film was called Border 1939, based on the novel The Border by Shin Shikata, and would have told the story of a Japanese teenager from colonial Seoul joining an anti-Japanese resistance group in Mongolia. The film was intended as an indictment of Japanese imperialist sentiment, which is briefly touched upon in Grave of the Fireflies.
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