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Contents 1 Cover Page 2 Short Summary 3 Long Summary 4 Quick References 4. 1 Chapter Notes 4. 2 Characters 5 Author Comment 6 Arc Navigation Cover Page[] Cover Page Request: "A black cat and Kuro quietly reading. " by PN Tomokiya. Short Summary[] After Luffy makes his demands to the Five Elders, the group makes their escape plan which they plan to return to the Thousand Sunny and after escaping the Marines, plan to flee to Elbaf. Meanwhile, with the information that Rob Lucci had been secretly leaking to them, Kizaru and Saturn, lay out their own plans, as Kizaru leaves to go deal with Sentomaru. Long Summary[] Luffy calls the Five Elders and introduces himself while simultaneously confirming that he and his crew are allies of Dr. Vegapunk, and if they care about York's safety, they should withdraw their fleet from the shore. Mars asks Luffy who is currently alive with him in the Labophase, but just as Luffy is about to tell him, Robin forces him to stop, telling him that they cannot give the enemy any information about their status. Luffy apologizes and asks if they will back down, but Usopp tells him to quit dreaming. Saturn says that they need to protect three things: York, Punk Records, and the power plant needed to produce the Mother Flame; everything else is expendable.

Retrieved 18 May 2017. ^ McNulty, Amy (28 June 2017). "Boruto: Naruto Next Generations Episode 13". Anime News Network. Archived from the original on 30 June 2017. Retrieved 28 June 2017.

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ASCII Media Works. Retrieved April 11, 2020. ^ "86--EIGHTY-SIX, Vol. 8 (light novel)". Yen Press. Retrieved January 28, 2021. ^ Gramuglia, Anthony (March 23, 2020). "My Hero Academia Features a Cameo from ANOTHER Shonen Manga Hero". Comic Book Resources. Archived from the original on March 24, 2020. Retrieved September 3, 2022. [12][13][49] Theron Martin, also of ANN, contrastingly found the plot of the earliest episodes to be cliché, called the protagonist Gon "an obvious Son Goku derivative", and stated that many of the story's aspects have already been covered by other shōnen series such as Dragon Ball Z a decade earlier. Martin was also displeased by an alleged lack of character development on the main protagonists' parts in the initial episodes. [11] The art and animation of the Hunter × Hunter anime have also been commended by the press. Kimlinger and Tucker were impressed by the art direction of Hunter × Hunter, the former of whom critiquing the adaptation of Togashi's work by Furuhashi as having "understated energy and flair, making the most of the era's (1999) mix of traditional and CG animation to bring Gon and friends' physical feats to fluid, exhilarating life. "[49][147] Martin faulted both the artwork and the subtle differences in character design. "The artistry not only shows its age but, in fact, looks older than it actually is," the reviewer commented, "hearkening back to a day when digital coloring and CG enhancements were not ubiquitous and allowances for a rougher look were greater. " Opinions of the series' sound and music have been somewhat mixed. Martin positively noted the soundtrack as the strongest production point of Hunter × Hunter, and was satisfied with both the English translation of the script and Ocean's voice overs. [13] Tucker found the music satisfactory and improved as the series progressed, but did not think it lived up to its potential. [182] Kimlinger agreeably felt the musical score to be appropriate in most instances, but criticized the English dub as "a letdown since day one". [14][15] 2011 series[edit] Madhouse's 2011 adaptation was met with near-universal critical acclaim.