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[11] Takahata insisted on working with well known animators Yoshifumi Kondō who was working for Nippon Animation at the time and Yoshiyuki Momose. [12] Both animators played a pivotal role in creating fluid, realistic animations of the characters in the animation. [13][14] Takahata drew from his personal experience to create a realistic depiction of the air raid on Okayama. In an interview, he criticized TV shows and movies that had recreated images of incendiary bombs, "They include no sparks or explosions, I was there and I experienced it, so I know what it was like. "[15][16] The film features Niteko-ike pond (ニテコ池), which is described as the "birthplace" of the novel and where Nosaka conducted his daily routines of dishwashing and personal ablutions. Notably, during the final days of the Pacific War, Nosaka, then 14 years old, sought refuge with his younger sister-in-law in a relative's house and nearby bomb shelters near the pond. [17][18] The location and background in the film is based on a style created by 18th century Japanese artist Hiroshige and his follower Hergé, who created Tintin. [19] Film critic Roger Ebert examines the contrast of the style of the background in comparison to the cartoonish animation of the characters. He claims that there is an unusual amount of detail in the evocative landscape, while the characters are a take on the modern Japanese animation with childlike bodies and enormous eyes. The depiction of Seita and Setsuko have Ebert believe that this deliberate animation style embodies the true purpose of animation, which is to recreate the raw emotion of human life by simplifying reality to emphasize ideas. [20] He concludes his analysis with saying, "Yes, it's a cartoon, and the kids have eyes like saucers, but it belongs on any list of the greatest war films ever made.

2022 Chapter 87 20. 03. 2022 Chapter 86 11. 03. 2022 Chapter 85 05. 03.

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[49] Confession patterns[edit] According to a 2009 study by the Jesuit scholar Fr. Roberto Busa, the most common deadly sin confessed by men is lust and the most common deadly sin confessed by women is pride. [50] It was unclear whether these differences were due to the actual number of transgressions committed by each sex or whether differing views on what "counts" or should be confessed caused the observed pattern. [51] See also[edit] Seven virtues Arishadvargas in Hinduism Blasphemy against the Holy Ghost Cardinal virtues Christian ethics Enneagram of Personality Eternal sin Five poisons in Buddhism Five Thieves in Sikhism Knightly Virtues Nafs and Tazkiah in Islam The Fable of The Bees: or, Private Vices, Public Benefits Seven Social Sins The Seven Sins of Memory The Seven Deadly Sins of Modern Times Ten Commandments Theological virtues Three Poisons in Buddhism Tree of virtues References[edit] ^ a b Tucker, Shawn (2015). The Virtues and Vices in the Arts: A Sourcebook. Cascade. ISBN 978-1625647184. ^ "The Seven Deadly Sins". Catholic Answers. Retrieved 2023-09-30. ^ Tilby, Angela (23 April 2013). 5 Chapter 67: Outside The Norm Chapter 66: The Strong Chapter 65. 2: Sisters Part 2 Chapter 65. 1: Sisters Chapter 64. 2: Limit Part 2 Chapter 64. 1: Limit Chapter 63. 2: Games And Combat Part 2 Chapter 63. 1: Games And Combat Chapter 62. 2: The Reason I Seek Part 2 Chapter 62. 1: The Reason I Seek Chapter 61. 5: Rangers Chapter 61: Dark Horse Chapter 60: Entering The Stadium Chapter 59: Only You Chapter 58: Giant Insect Chapter 57: Interruption Chapter 56: Head-On Chapter 55. 7 Chapter 55.