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Eren and his companions return to his childhood home, where they discover the truth of their world: they are actually Eldians, sworn enemies of the conquering Marleyans who were enclosed within the walls after the original King Karl Fritz fled from the war. They are not the last humans as they were told, but rather an enclosed sect of Eldians on an isolated island called Paradis. Because they are "Subjects of Ymir" who can be turned into Titans by being injected with Titan spinal fluid, the Eldians continue to be oppressed by Marley. In the year after the battle of Shiganshina, the Survey Corps kill all of the remaining Pure Titans on the island. A map of the world of Attack on Titan, which resembles our own world flipped over the x-axis (south-up map orientation) Three years later, the Survey Corps launch an attack against the Marleyan capital of Liberio, orchestrated by Eren and his half-brother Zeke, who is the owner of the Beast Titan. Eren kills Willy Tybur, an Eldian who (along with his family) had been controlling Marley from the shadows and gains ownership of the War Hammer Titan after eating its previous owner, Willy's sister Lara.[109][110][111] Tasha Robinson, in a review of the first English DVD release for Sci-Fi Weekly, was concerned about the opening episode's similarity to the set-up for Cowboy Bebop. [3] In a similar review for Play Magazine, Dave Halverson noted his enjoyment of the story but felt readers should see the anime with as little story information as possible. [112] DVDTalk's Todd Douglass noted the simple premise of the story, but enjoyed each episode's plot and praised the interactions of the main cast and its sense of style. [109] Nick Browne of THEM Anime was less positive, faulting its weaker multi-episode stories and uneven treatment of serious cultural issues despite enjoying the humor born from its main cast. [110] Salvan Bonaminio of The Escapist described the main cast as stereotypes, faulted the forgettable supporting cast, and called many episodes including the ending underwhelming. [113] James Beckett of Anime News Network enjoyed the main cast, but negatively cited a lack of cohesion across the series, and strongly criticised Fuu's frequent kidnappings for story purposes as detrimental to her character. [111] Halverson gave praise to the animation and character designs without specific commentary,[112] while Robinson positively compared the fight choreography and art design to Watanabe's work on Cowboy Bebop and The Animatrix. [3] Douglass cited the anime as a perfect example of Watanabe's visual style,[109] and Browne cited its visuals and technical achievements as high points. [110] Bonaminio included a positive mention of the anime's visible production quality during his summary. [113] Becket felt the animation style had aged poorly, though giving praise to the art style and fight sequences. [111] The music met with general praise for its use and style.
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