overtake
Soon
Baki arrives in Tokyo and visits the household of Mitsunari Tokugawa. There he meets Kanji Igari for the first time. Igari is just leaving Tokugawa's house when Baki arrives. They watch each other for a while, and Baki tells him that if he wants to stand in his way, he will treat him as his enemy. Igari decides that he doesn't want to have any match and goes away. After a while, Baki defeats all the bodyguards from Tokugawa's house and then fights a duel
with Shuumei Kanou, the best bodyguard of the Tokugawa house. Kanou surprises Baki with his fighting style, which is
based mainly on self-defense and imitating the movements of his opponents. However, he turns out to be too weak for Baki. The young fighter realizes that Kanou has a great defense, but his offense is very weak. Ultimately, Baki wins the fight, showing his offensive superiority over Kanou. After the battle, Baki meets Tokugawa for the first time and asks him for permission to join the arena.
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Perhaps there is some secret demand for this kind of gross ambiguity I'm not aware of, but it strikes me as inconsistent imagination or lazy writing -- or worse, pretentious writing. Like, "Oh, look at how confusing and misleading I can be. You'll never figure this out. "
In general, Perfect Blue is fun to watch just for the surreal visual elements. It has very nice use of colors (darks, lights, illumination, etc. ) and some trippy scenes. As a whole however, for me personally, this enjoyment was countered by the movies refusal to allow the audience to be able to discern reality from illusion. Now of course, I don't
want to have things spelled out for me. I enjoy having my perception toyed with as much as the next person, but by the end of a movie, especially after watching more than once, I expect to at least have some grasp on what was "really" going on. Otherwise I just feel
confused and frustrated wondering what the point to the whole thing was. Maybe with Perfect Blue that was the point.
