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[44] The eventual release of the sixth volume received more acclaim from the Manga Life for further developing Musashi's bushido, his acceptance of his weak point and how Matahachi also kept appearing despite the two still not meeting. [45] The Fandom Post was drawn out by the writing of Inoue when reading the first manga volume, praising its large amount of content and whether or not Musashi is still capable of being a true warrior when interacting with the monk Takuan. [46] A similar comment was given by ComicBookBin with the reviewer claiming that his impression of Vagabond was so impressive that it reminded him of the comic book Batman: The Dark Knight Returns, praising the way Inoue portrays violence in a realistic fashion. [47] Another aspect praised by the same website was the lack of large amount of dialogue needed to describe the characters. [48] Peter Fobian of Crunchyroll commented that Slam Dunk's Hanamichi Sakuragi and Musashi are similar protagonists being young, egotistical prodigies, but that "Musashi is a force of nature. " He went to call Inoue's take on Musashi unique when compared to the ones often depicted in fiction. [49] Comic Book Resources praised the way Musashi addresses Bushido, the Code of the Samurai, which makes him honorable. [50] The story arc where Musashi tries to take care of villagers as it retains the handling of Bushido but without relying on action and using other types of strength, was praised for retaining its pacing. [51][52] Japan Times regarded Musashi's growth from the ruthless warrior to a wise monk warrior to be well executed across the narrative. [53] While comparing the manga with the original novel, William Scott Wilson, the author of The Lone Samurai: The Life of Miyamoto Musashi, noted that the manga is darker and more mature; yet, although "extraordinarily well drawn", it is "no substitute for Yoshikawa Eiji's work". [54] Los Angeles Times regarded Vagabond as a "samurai masterpiece" for the contrast it makes with the novel by deepening the characterization of Musashi and alternate take on the rival Kojiro.

[7][6] Horikoshi cites Masashi Kishimoto's Naruto as being the main influence for his art, specifically stating it gave him a love for drawing hands. [8] Horikoshi has also cited Dragon Ball, Ultraman, Kamen Rider as sources of inspiration. [7][6] Additionally, Horikoshi noted that he likes Gamera and Godzilla franchises and made references to these kaiju media and mentioned about them in several comments. [9][10] Hitoshi Koike, the editor of My Hero Academia, said that Horikoshi already has a general story in mind for the manga. However, he also noted there were many rejected story ideas, and that Horikoshi dismissed some ideas himself. Koike also stated that Horikoshi liked to use his inspirations.

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Okudera (Okudera-senpai) by her colleagues. When she meets Taki in 2021 after a long time, she is wearing an engagement ring and tells him that she is getting married soon. According to Shinkai: "It's just a backstory, but I believe that Tsukasa is engaged to Okudera. "[9] In the original novel, she is described as working at the Chiba branch of an apparel manufacturer as of 2021. Hitoha Miyamizu (宮水 一葉, Miyamizu Hitoha) Voiced by: Etsuko Ichihara[11] (Japanese); Glynis Ellis[8] (English) The head of the Miyamizu[note 2] family shrine in Itomori[note 3], and the maternal grandmother of Mitsuha and Yotsuha. She was 82 years old as of 2013. [c] Her favorite family tradition is kumihimo (thread weaving). She educates her grandchildren about the history and traditions of the shrine. Her daughter died peacefully after an illness and her son-in-law worked as a politician. It is revealed in the manga adaptation that Hitoha is alive as of 2021. Yotsuha Miyamizu (宮水 四葉, Miyamizu Yotsuha) Voiced by: Kanon Tani[11] (Japanese); Catie Harvey[8] (English) Mitsuha's younger sister with a strong personality. Alas, Darling in the FranXX (i. e. Studio Trigger) does not choose to expand on any of these philosophical conundrums, and instead, elects to go for sex and procreation — no surprise.
Hold your frustration back, because it gets worse. In episode 8, when the girl’s clothing gets disintegrated by the Klaxosaur “goo,” revealing portions of their bodies to the boys, they decide to pull-out (Mitsuru should have done the same thing, hehe) the ultimate TV trope: dividing the house in half, with tape. They straight up took this out of the I Love Lucy playbook.