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[18] The Code Geass: The Miraculous Birthday (コードギアス 反逆のルルーシュ キセキの誕生日, Kōdo Giasu: Kiseki no Tanjōbi) picture drama was based on a live event held in Tokyo, Japan on Lelouch's birthday. [citation needed] Another OVA anime titled Code Geass: Nunnally in Wonderland (コードギアス 反逆のルルーシュ: ナナリーinワンダーランド, Kōdo Giasu Hangyaku no Rurūshu: Nanarī in wandārando) was announced and revealed through the anime's official website. Takahiro Kimura did the character designs of the series. Makoto Baba was assigned as the director of the OVA while episode scriptwriter Yuuichi Nomura and music composer Kotaro Nakagawa returned for the said project. In the story, Lelouch makes the ultimate use of his Geass for his little sister Nunnally, who loves Alice in Wonderland. [19] The Blu-ray was released by Bandai Visual on July 27, 2012 with English subtitles and bundled with a 40 page picture book. [20] A 3-part theatrical compilation anime film of the TV anime was released, with the first film titled Code Geass: Lelouch of the Rebellion I - Initiation (コードギアス 反逆のルルーシュ 興道, Code Geass - Hangyaku no Lelouch - Kōdō, "Code Geass: Lelouch of the Rebellion: The Awakening Path") released on October 21, 2017. [21] The second film titled Code Geass: Lelouch of the Rebellion II - Transgression (コードギアス 反逆のルルーシュ 叛道, Code Geass - Hangyaku no Lelouch - Handō, "Code Geass: Lelouch of the Rebellion: The Rebellion Path") was released February 10, 2018. The film placed 8th at the mini-theater ranking on its opening weekend. The third compilation film, titled Code Geass: Lelouch of the Rebellion III - Glorification (コードギアス 反逆のルルーシュ 皇道, Code Geass - Hangyaku no Lelouch - Ōdō, "Code Geass: Lelouch of the Rebellion: The Imperial Path") was released in theaters on May 26, 2018. [22] Each film has several changes to the storyline, as Taniguchi stated, to give it more of a "what if" scenarios leading to the new film.

He explained, "the first image that occurred to me was one of Spike, and from there I tried to build a story around him, trying to make him cool. "[36] While the original dialogue of the series was kept clean to avoid any profanities, its level of sophistication was made appropriate to adults in a criminal environment. [23] Watanabe described Cowboy Bebop as "80% serious story and 20% humorous touch". [39] The comical episodes were harder for the team to write than the serious ones, and though several events in them seemed random, they were carefully planned in advance. [31] Watanabe conceived the series' ending early on, and each episode involving Spike and Vicious was meant to foreshadow their final confrontation. Some of the staff were unhappy about this approach as a continuation of the series would be difficult. While he considered altering the ending, he eventually settled with his original idea. The reason for creating the ending was that Watanabe did not want the series to become like Star Trek, with him being tied to doing it for years. [31] Development[edit] The project had initially originated with Bandai's toy division as a sponsor, with the goal of selling spacecraft toys. Watanabe recalled his only instruction was "So long as there's a spaceship in it, you can do whatever you want. " But upon viewing early footage, it became clear that Watanabe's vision for the series did not match Bandai's.

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