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October 5, 2017. ^ "Wikis and Participatory Fandom". The Participatory Cultures Handbook. Routledge. 2012. doi:10. 1371/journal. ppat. 1009846. ISSN 1553-7374. PMC 8423362.

Isolated from the influence of patriarchy, adolescent girls created a "shōjo culture" that used Class S literature to disseminate and share homosocial cultural codes. Though this culture was significant in informing girls' attitudes about femininity and independence, it was ultimately ephemeral; upon leaving the single-sex school environment, girls became subject to patriarchal expectations of marriage and family. [30] As mixed-sex education became more common in the post-war era and Class S literature declined as a means to disseminate homosocial bonds, cross-dressing and yaoi emerged as the primary modes in literature for women to criticize and resist patriarchy. [110][113] The emergence of yuri allowed for a return to Class S-style homosociality, of which homosexuality is a component. [30] Thus, Nagaike asserts that yuri does not conform to the political vision of lesbianism espoused by philosophers like Monique Wittig that sees lesbianism as overthrowing "the political and sociological interpretation of women's identity;" rather, yuri is closer to Adrienne Rich's vision of a "lesbian continuum" that seeks to overthrow compulsory heterosexuality. [30] See also[edit] Anime and manga portalJapan portalLGBT portal See also: Category:Yuri (genre) Glossary of anime and manga Femslash Hentai Homosexuality in Japan Lesbian erotica LGBT rights in Japan Pornography in Japan Sexual minorities in Japan Women who have sex with women Womance References[edit] Citations[edit] ^ Charlton, Sabdha. "Yuri Fandom on the Internet". Yuricon. Archived from the original on September 22, 2017. Retrieved January 12, 2008. ^ Maser 2013, pp.

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2”. As for Kizaru, he manages to avoid falling into the sea and uses Yasakani no Magatama to return to the island at lightspeed. Once he catches up to Luffy, he turns the individual light particles into copies of himself, all of which use Ama no Murakumo to create light swords to attack him, though they surprisingly do minor damage to Luffy. He responds to Kizaru’s attack by using Gomu Gomu no Dawn Whip to destroy a few, before making a run for it. As the copies chase after him, Luffy reveals that he was getting them lined up to take them all out at once with Gomu Gomu no Dawn Stamp. Much to his misfortune, he realizes that Kizaru used those copies to distract Luffy long enough to return to the Control Tower, where he grabs Usopp. Kizaru realizes that Dr. Vegapunk is no longer present, and both he and Luffy see him and Atlas riding a contraption called Vegatank-08, with Sanji hanging on the outside. Dr. Vegapunk declares that he is on his way to save Bonney. Kizaru tries to blast him, but Luffy takes the shot. Archived from the original on August 14, 2009. Retrieved June 27, 2009. ^ Loo, Egan (August 25, 2008). "2nd Death Note Film to Run in U. S. Theaters in October".