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[7] In North America, the manga was licensed for English release by Viz Media. [8] The volumes were released from June 16, 2015,[9] to August 15, 2017. [10] In 2013, a prequel spin-off manga titled Tokyo Ghoul [Jack] was released on Jump Live digital manga service. The story spans seven chapters and focuses on Kishō Arima and Taishi Fura twelve years before the events of Tokyo Ghoul. It was compiled into a tankōbon volume published digitally by Shueisha on October 18, 2013. [11] It was licensed Viz Media and published digitally on September 26, 2017. [12][13] A full-color illustration book, titled Tokyo Ghoul Zakki, was released along with the final volume of the manga on October 17, 2014. It includes all promotional images, volume covers and unreleased concept art with commentary by Ishida. [14] A sequel manga series, titled Tokyo Ghoul:re, was serialized in Weekly Young Jump from October 16, 2014,[15][16] to July 5, 2018. [17][18] The series is set two years after the end of the original series and introduces a new set of characters. [19] Shueisha collected its chapters in sixteen tankōbon volumes, released from December 19, 2014,[20] to July 19, 2018.

[32] The album debuted at number three on the Billboard 200, selling 108,000 units. [33] It was produced by Scott Storch, Swizz Beatz, J. R. Rotem, Corey Williams, Soulshock & Karlin and Ryan Leslie. It received mainly positive reviews. The album was preceded by the release of the single "Too Little Too Late" in the summer of 2006.

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Anime News Network. Archived from the original on May 2, 2023. Retrieved May 2, 2023. ^ Mateo, Alex (May 5, 2023). "Undead Girl Murder Farce Anime Casts Masaki Aizawa as John H. Watson". Anime News Network. Archived from the original on May 5, 2023. Retrieved May 5, 2023. ^ Cayanan, Joanna (May 16, 2023). "Undead Girl Murder Farce Anime Casts Wataru Yokojima as James Moriarty". Retrieved February 7, 2022. ^ a b Eisenbeis, Richard (May 26, 2016). "When Your New Life in a JRPG World Doesn't Live Up to Expectations". Kotaku. Retrieved August 25, 2017. ^ a b c d Morrissy, Kim (February 27, 2017).
The covers are entirely in English, but he said this was not with an eye towards global distribution, he simply "had this incredible enthusiasm to just try to make something new. " With its all-English cover, B5 size and painted page edges, the first volume of Akira caused a sensation in Japan. [17] Otomo painted the cover illustration of the first volume very thick, while its inside cover illustration was influenced by Tetsuji Fukushima's manga Sabaku no Maō and how he used colors like American comics. [17] Because the first volume had a "hot" red cover, Otomo felt volume two should have a "cool" one. Its back cover image was created using video, and he said he ruined Kodansha's VCR by repeatedly changing the color balance to get it right. Following the American and European cover images of the previous two volumes, Otomo felt the third should have an Asian one and so included the signs in its background. Its back cover is a composite photograph taken during a race at the Tokyo Racecourse when an image of Akira was shown on the jumbotron. Because the first three images had followed a pattern of "action-silence-action," the artist figured volume four should continue it and so drew Akira sitting down for the cover. Its back cover features an original Akira pinball machine created by Taito with animation cels pasted onto it by Otomo. The cover of volume five was the first to feature an event actually related to the content inside the book. Its back cover features an Otomo-designed decorative bamboo rake that cost 2 million yen to make and features a custom made Miyako doll and mecha models.