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"[12][13] He feared that people's memories of the disaster start to become "hazy" over time, and by depicting the earthquake and tsunami in his film or novel, he could also share his memories with teens who were unaware of the disaster. [12] Shinkai also cited Kiki's Delivery Service, Guardian: The Lonely and Great God, and Haruki Murakami's novel Kafka on the Shore and short story "Kaeru-kun, Tokyo o Sukuu" (かえるくん、東京を救う, "Super-Frog Saves Tokyo") as influences for the film. [13][15] Shinkai and his staff planned the project from January to March 2020. They started developing the film's script in April, which is when the Japanese government declared a state of emergency due to the COVID-19 pandemic. [16][17] In an interview with TV Asahi, Shinkai mentioned that the pandemic had a less tangible effect on the film's production. However, he said that "the mood of the times is indelibly etched into the script", adding that the film will have a post-apocalyptic theme. [17] Souta turning into a chair was in reference to Shinkai feeling trapped during the COVID-19 curbs. [12] After finishing the script in August, the storyboards were drafted from September 2020 to December 2021, while the production of the animation started in April 2021. [16] The film was officially unveiled during a press conference on December 15, 2021. The film's staff includes Masayoshi Tanaka as the character designer, Kenichi Tsuchiya as the animation director, and Takumi Tanji as the art director. CoMix Wave Films and Story Inc.


Prior to this it is also shown that a few kids from Satoru's school were murdered at that time period, namely our loli heroine, Kayo Hinazuki. Hinazuki was a troubled and lonely girl who never got along with anyone and was often abused by her mother. Satoru decides that as well as preventing his mother's death, he will also save Hinazuki before her birthday which is on the 2nd of March. Considering it's already mid February he doesn't have much time. The accused murderer of these kids was 23 year old Jun Shiratori or known to the children simply as Yuuki due to his courageous nature. He was a person who would always approach the lone students around his house, which already raises a giant red flag. However, Satoru always remembered Yuuki to be a kindhearted and happy guy who would never commit a crime.
So obviously the show's primary element is mystery, which I have mixed feelings about. If the mystery is done well it can really lead to a great series, but that usually isn't very easy to pull off and more often that not it just falls flat. The worst mistake a mystery series can make in my eyes is when it raises so many questions but in the end fails to answer them, or maybe just leave it off at a cliffhanger like Rokka no Yuusha. Erased done well in that aspect, seeing as it didn't raise that many questions to begin with.

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