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Archived from the original on 3 March 2018. Retrieved 3 March 2018. ^ "TOP 10 MANGA FRANCHISES - FALL 2018". Icv2. Archived from the original on 11 January 2021. Retrieved 19 May 2019. ^ a b c "The Spring 2017 Manga Guide Boruto Vol. 1". Anime News Network. Archived from the original on 1 July 2017. Retrieved 1 June 2017.

Isekai Ojisan would be so much better if it just gave us something to care about. By the end, we were just going through the motions to finish it and be done with it. That's bad story telling.
Animation 8/10
- Unique to a degree, and beautifully drawn at times, with no CGI I believe? If so, very hard to notice. Mabel scenes were peak.
Sound 7/10
- Decent OP, forgettable ED, with good voice acting.
Story 5/10
- Beyond episodic storytelling, there is no plot. It's an uncle watching TV of his past with his nephew and the nephews' friend for 13 episodes.
Characters 8/10
- Really enjoyable characters through and through, but without something at stake, Mabel, Sui, and Uncle are wasted IMO.
Enjoyment 7/10
- Enjoyed the comedy, but the series as a whole fell flat due to a lack of any story development.
At the end of the day, the series gets a pass, and will likely be enjoyable to a wide swath of people.

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On an impromptu date, Mai apologizes for not being there to help him through his crisis, to which he answers he is simply happy to have her by his side. In a post-credits scene, Sakuta and Kaede pack their bags at the hospital when he thanks her and she states her interest in going to school, knowing she is no longer alone. Notes[edit] ^ The original title of each volume is set according to the syntax Rascal Does Not Dream of. (青春ブタ野郎は. の夢を見ない, Seishun Buta Yarō wa. [90] THEM Anime's Raphael See applauds the film's "astounding special effects and clean, crisp animation". [91] Chris Beveridge comments on the Japanese audio, which brings "the forward soundstage nicely into play when required. Dialogue is well placed, with several key moments of directionality used perfectly". [92] Janet Maslin of The New York Times commends Otomo's artwork, stating "the drawings of Neo-Tokyo by night are so intricately detailed that all the individual windows of huge skyscrapers appear distinct. And these night scenes glow with subtle, vibrant color". [93] Richard Harrison of The Washington Post comments on the pace of the film, stating that the author "has condensed the narrative sprawl of the comics to provide coherence, though there's a bit of "Back to the Future Part II" incompleteness to the story.