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In addition, male-targeted stories tend to make extensive use of moe and
bishōjo characterizations. [59] The publication of yuri magazines had the effect of nurturing a "yuri culture" that influenced artists to create
works depicting female same-sex relationships. [30] Further, articles in these magazines contributed to the history of the genre by retroactively labeling certain works as yuri, thus developing "a historical canon of the yuri genre. "[60] Specifically, Verena Maser notes in her analysis of issues of Yuri Shimai, Comic Yurihime, and Comic Yurihime S published from 2003 to 2012 that eight of the ten most-referenced series in the magazines predate the 2003 formalization of yuri as a publishing genre: Apurōzu - Kassai (1981–1985), Sakura no Sono (1985–1986), Sailor Moon (1992–1996), Cardcaptor Sakura (1996–2000), Revolutionary Girl Utena (1997–1999), Maria-sama ga Miteru (1998–2012), Loveless (2002–present), and Strawberry Marshmallow (2002–present). [6] 2010s–present: Genre diversification[edit] While schoolgirl romances remained popular into the 2010s and 2020s, notably Kase-san (2010–2017), Citrus (2012–2018), Bloom Into You (2015–2019), and Whisper Me a Love Song (2019–present), yuri works during this period began to incorporate new genres, themes, and subject material. [61] The mid-2010s saw yuri works expand to genres such as science fiction and isekai, as well as the formalization of shakaijin yuri (社会人百合, lit.
The film has some focus on Netero, the chairman of the Hunter Association as Gon and his friends discover the dark secrets behind his past. The movie was released on December 27, 2013,[110] and the DVD and Blu-ray was released on July 23, 2014. [111] At the Japanese box office, Phantom Rouge grossed $12,595,288,[112] and The Last Mission grossed ¥850 million[113] ($8. 71 million), bringing both films' total Japanese box office gross to $21. 31 million. CDs[edit] The background music for the first Hunter × Hunter anime and three OVA series was composed by Toshihiko Sahashi.
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