kono koi ni kizuite the animation 01 vostfr
But instead of passing through it, she inadvertently unleashes a Worm. As a plot device, there’s nothing wrong with these Worms, which burst forth from portals in different towns, forcing Suzume and Souta to trace their path along the eastern coast. The pair must shut each door before these radioactive indigo Worms can topple to the ground and cause a cataclysmic earthquake. That’s especially challenging for Souta, who’s magically transformed into a three-legged children’s chair — a whimsical notion for a sidekick that proves surprisingly effective. By contrast, it was a mistake to render the monstrous, undeniably phallic Worms via computer animation, as they look
more lame than menacing. Still, the threat is real, anthropomorphizing any number of actual natural disasters that have hammered Japan in recent years. (The country is situated at a kind of seismic epicenter, resulting in roughly 1,500 earthquakes annually!) What’s so smart about Shinkai’s script is the way it integrates the anxiety locals feel about such tremors with an appreciation of the country’s disappearing heritage, as represented in the sites where Suzume finds the portals: a shuttered middle school, a dilapidated amusement park and so on. To find the strength to close each door, Suzume must imagine the people who existed there before. And while she’s not afraid to die, she must rediscover the will to live. Shinkai
brings a contemporary, youth-friendly feel to his films by collaborating with the rock band Radwimps, joined here by composer Kazuma Jinnouchi’s atmospheric instrumentations. The ethereal chanting track that accompanies Suzume’s gravity-defying showdown in the sky over Tokyo is a high point, as is the bouncy theme song.
Creamer also praises it for its artwork and music that highlights the beauty and terror of the Abyss. [62] Julian Malerman of THEM
Anime Reviews praises the show for being a well-executed emotional drama saying "The manner in which the show approaches this conclusion is often brutal and alienating, but the final answer is simple and pure. It sings. "[63] Made in Abyss was awarded Anime of the Year and Best Score at the 2nd Crunchyroll Anime
Awards in 2018. [64] The series won the 4th Anime Trending Awards in the Best in Adaptation, Best in Soundtrack and Action or Adventure Anime of the Year, and was nominated for several other categories. [65] It also won the 25th Spanish Manga Barcelona award for the Best Anime category in 2019.
[137] An English guidebook to the series titled Yu Yu Hakusho Uncovered: The Unofficial Guide was published by Cocoro Books on October 12, 2004. [138] A stage play adaptation produced by Office Endless was announced in May 2019. The play is written and directed by Chūji Mikasano, a screenwriter for the Tokyo Ghoul anime series. The play ran from August 8 to September 22, 2019, in Tokyo, Osaka, Fukuoka, and Aichi. [139][140] In September 2019, YuYu Hakusho joined the Universal Fighting System CCG, this marked the second anime license to make it into the system. [141] Reception[edit] Manga[edit] By 2013, YuYu Hakusho had over 50 million copies in
circulation in Japan alone, making it one of Weekly Shonen Jump's best-selling manga series;[142] by 2022, it had over 78 million copies in circulation. [143] Patricia Duffield, a columnist for Animerica Extra, acknowledged the manga as "one of the kings of popularity in the mid-1990s" in the region where it saw mass availability from large bookstore chains to small train station kiosks. [144] YuYu Hakusho earned Yoshihiro Togashi the Shogakukan Manga
Award for shōnen in 1993. [145] Towards the end of the series' run, Togashi was publicly criticized for not meeting chapter deadlines and for lower quality art. [15][146] On TV Asahi's Manga Sōsenkyo 2021 poll, in which 150,000 people voted for their top 100 manga series, YuYu Hakusho ranked seventeenth. [147] In North America, several volumes of the manga have ranked within the weekly Nielsen BookScan graphic novels list, including volume five at both sixth and ninth in October 2004, volume six at sixth in February 2005, and volume seven at seventh in June 2005.
