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Kobayashi, Sasaki, Sanae Mitsugi and Hideki Goto were credited as planners and executive producers,[33] and the producers were Takatoshi Hamano, Takashi Kochiyama and Tetsuro Satomi. [34] The story was composed by Shinji Obara and Yukihiko Tsutsumi of Office Crescendo, with scripts written by Obara, Dai Satō, Touko Machida, Keiko Nobumoto, Seiko Takagi, Ryota Sugi, and Watanabe. [8][33][34][35] Nakazawa wrote and storyboarded episode 15, being credited as Uwadan Shimofuwato in the former role. [21][34] Nakazawa also acted as both character designer and chief animation director. The art director was Takeshi Waki, the storyboard director was Kazuki Akane, and coloring was led by Eri Suzuki. [8][33] Additional characters were created by Hideto Komori. [5] Weapon designs were co-created by Mahiro Maeda and Manglobe managing director Hidero Okamoto. [5][33] The cinematographer was Kazuhiro Yamada, with Syuichi Kakesu as lead editor. [33] Numerous guest creators were also brought in for different episodes as artists or animation directors, including Shūkō Murase Takeshi Yoshimoto, Naoko Nakamoto, Hiroyuki Imaishi and Tensai Okamura. [36] Concept and development[edit] The concept for Samurai Champloo was created by Watanabe in 1999, then known for his work on Cowboy Bebop. He wanted to create a series antithetical to the largely calm and mature atmosphere of Cowboy Bebop, wanting a complete change due to fatigue after working on one project for such a long period.

This instability, particularly in Asia, is leading to a resurgence of a second sea age. Concurrently, the changing world conditions are fostering a rise in piracy and maritime terrorism. In response, numerous large international corporations are arming themselves and establishing private maritime security forces to safeguard their interests in this evolving and potentially perilous maritime environment. 50. Kantai Collection The series centers around Fubuki as the main character, offering a perspective into a world threatened by the Abyss Fleet’s control of the seas. To counter this threat, young human maidens known as kanmusu, embodying the spirits of past warships, are the only effective defense.

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The first closing theme is "I Wanna Be" by Stance Punks for the first 13 episodes and the 51 episode; the single was released on June 4, 2008. The second closing theme is "Style" by Kana Nishino from episode 14 to 26; the single was released on August 13, 2008 by Sony Music Entertainment Japan. The third closing theme is "Bakusō Yume Uta" (爆走夢歌) by Soul'd Out's Diggy-Mo from episode 27 to 39; the single was released on November 26, 2008 by Sony Music Entertainment Japan. The final closing theme is "Strength" by Abingdon Boys School from episode 40 through episode 50; the single was released on February 25, 2009. [47][48] The anime rebroadcasting features two additional opening and closing themes. The first opening is "Counter Identity" by Unison Square Garden, released in autumn 2010, and the first ending is "Ao no Kaori" (碧の香り) by Yui Makino, released on November 10, 2010. The second opening is "Ai ga Hoshii yo" (愛がほしいよ) by Shion Tsuji, released on March 9, 2011, and "Northern Lights" by How Merry Marry. [39] The first character song maxi single sung by Chiaki Omigawa (Maka) and Kōki Uchiyama (Soul) was released on August 6, 2008 by Aniplex. The second single by Yumiko Kobayashi (Black Star) and Kaori Nazuka (Tsubaki) was released on September 3, 2008, and the third single by Mamoru Miyano (Kid), Akeno Watanabe (Liz), and Narumi Takahira (Patty) was released on October 1, 2008. Composed and produced by Taku Iwasaki, two CD soundtracks have been released for the Soul Eater anime series. Soul Eater Original Soundtrack 1 was released on August 27, 2008 with 20 tracks, and Soul Eater Original Soundtrack 2 was released on March 18, 2009 with 22 tracks by Aniplex. Why do I need a VPN for free TV streaming? Most free streaming services are ad-supported. Ad-supported models typically result in lower profit margins, so services are usually forced to impose geographic content restrictions as part of the licensing agreement. A VPN will allow you to easily bypass these geographic content restrictions while traveling abroad. A VPN allows you to connect to an internet server back home in a country where the service is available. And thanks to anonymization technology, the VPN will prevent the streaming service from detecting your real location and identity. There are hundreds of VPN providers on the market.