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ConnectionsFeatured in Film Discussions: Your Name Anime Film Discussion (2016)SoundtracksYumetourou (Dream Lanturn)Music and Lyrics by Youjirou NodaArranged and Performed by RadwimpsUser reviews1KReviewReviewFeatured review10/10 Forget Disney! We have
movies like Your Name. Your Name is just a good movie. This movie felt long, but not too long. All the way through, I was asking what would happen next. It was clever, emotional, and left me
crying after the movie. The twist was done really well, and I almost wanted to pause the movie. Also, the animation is gorgeous. You get to see detailed images from many angles and perspectives, and there were
hundreds of animators! The credits didn't start out
with the cast like it usually would. The first thing you saw after a black screen was hundreds of names of animators and designers. I watched this movie again and I still felt my muscles ready to let tears out. I would not recommend this movie any less than the next guy, so what are you waiting for? Get a couple of friends and watch Your Name!helpful•47329jbbianchinoFeb 8, 2018Top picksSign in to rate and Watchlist for personalized recommendationsSign inFAQ19How long is Your Name.
Archived from the original on March 24, 2016.
Retrieved October 10, 2015. ^ "Hajime Isayama". Comiclopedia. Lambiek. Archived from the original on January 27, 2024.
While some of them were doubtful of
that at the time, Watanabe many years later expressed his happiness to have been proven right in retrospect. He joked that if Bandai Visual had not intervened then "you might be seeing me working the supermarket checkout counter right now. "[36] The city locations were generally inspired by the cities of New York and Hong Kong. [40] The atmospheres of the planets and the ethnic groups in Cowboy Bebop
mostly originated from Watanabe's ideas, with some collaboration from set designers Isamu Imakake, Shoji Kawamori, and Dai Satō. The animation staff established the particular planet atmospheres early in the production of the series before working on the ethnic groups. It was Watanabe who wanted to have several groups of ethnic diversity appear in the series. Mars was the planet most often used in Cowboy Bebop's storylines, with Satoshi Toba, the cultural and setting producer, explaining that the other planets "were unexpectedly difficult to use". He stated that each planet in the series had unique features, and the producers had to take into account the characteristics of each planet in the story. For the final episode, Toba explained that it was not possible for the staff to have the dramatic rooftop scene occur on Venus, so the staff "ended up normally falling back to Mars". [41] In creating the backstory, Watanabe envisioned a world that was "multinational rather than stateless". In spite of certain American influences in the series, he stipulated that the country had been destroyed decades prior to the story, later saying the notion of the United States as the center of the world repelled him.
