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Tokyopop. Archived from the original on June 21, 2007. Retrieved December 11, 2021. ^ "Samurai Champloo Volume 2". Tokyopop. Archived from the original on June 21, 2007. Retrieved April 28, 2013. ^ a b Loo, Egan. "Crunchyroll Adds Eyeshield 21 Football Anime". Anime News Network. Archived from the original on April 2, 2014.Main characters are suggested to exist, but their screentime is balanced out with several others arguing over some sort of dominance. It’s overwhelming for a start, but created distinctly as Episode 1, not chapters that fill in for an Episode 1. This serves as an easy way to stand out and an early indication of Shingo Natsume’s talent with using animation to create a distinct feel.
As the remaining episodes go on though, any actual intentions Sonny Boy might have become harder and harder to define. Characters hop between places in separate worlds practically instantaneously. Scenes are placed in non-chronological chunks. Infighting is shown, and then gives way for more existential comprehension of what it means to evolve and live where you are. Entire sections of exposition are stated to present subjects invisible in the moment. Some characters will have focus for entire episodes and then be discarded from relevance. Growth will be suggested through dialogue, but all the introspection is reserved for the show’s main mystery.
Amidst all of these very particular choices, the main takeaway I had was that amongst every character with some sort of grab bag superpower, two of them serve as hypothetical prophets, able to broaden new horizons and topple the domain of multiple worlds.