suki na ko ga megane wo wasureta
A huge flaw of this approach is the predictability of its offence. As explained by OPBF champion Miyata, in every match Ippo always steps forward and attacks head on while repeating the same attack patterns, a trait that an observant boxer can easily take advantage of. [76] Once Ippo became the JBC champion, this move defined him to the point that the name "Makunouchi Ippo" came to be synonymous with the
Dempsey Roll, which, as Kamogawa affirmed, turned Ippo into a “cheese champion”, due to being full of holes as a result of the overexposure of the technique. [135] Relying solely on the Dempsey Roll to win led him to progressively
more dangerous matches as his opponents picked apart the technique’s weaknesses and found ways to neutralise it. [136] To give an example, it is
stated by Kamogawa that Ippo's signature move was not only a strength, but also a weakness,
since the Dempsey Roll is weak against counters. [137] This stylistic disadvantage compelled the Kamogawa gym to avoid the long-awaited match between Ippo and Miyata, as it was seen as a hopeless endeavour. [138][139] The drawback was eventually exploited by the counter-puncher Sawamura, who challenged Ippo for the JBC title. [140][141] Most importantly, as noticed by Ippo, the passive procedure of waiting for the opponent to throw a punch before closing in resulted in him losing the initiative and forgoing the use of his left to claim the first strike, as is noticeable by the gradual neglect and eventual discardment of his jabbing. [142][143] This was a direct contradiction to the style Kamogawa originally envisioned for Ippo, which revolved around “hitting before being hit”. [144] Prior to his first performance on the world stage, Ippo's one-dimensional style was described by Eiji Date as too simplistic for the world level. [145] This idea was reinforced in the night of the fight by Ippo's opponent, Alfredo González, who judged his boxing as outdated and technically unremarkable.
A. Works and Aniplex and directed by Yoshiyuki Asai. [1] It aired from October to December 2020. The story was originally conceived by Jun Maeda, who also wrote the screenplay, with original character design by Na-Ga. Both Maeda and Na-Ga are from the visual novel brand Key, and The Day I Became a God is the third original anime series created by Key following Angel Beats! in 2010 and Charlotte in 2015. [2] Plot[edit] While preparing for the upcoming graduation exams in the final year of high school, Yōta Narukami meets a mysterious young girl named
Hina Sato, who claims she is a god named Odin. She tells Yōta that the world will end in 30 days, but he remains skeptical despite her making numerous correct predictions. The story revolves
around Hina assisting Yōta as he helps people around town while she adjusts to her new life. As he spends more time with her, he begins to uncover more secrets about her life and how she became a "god". Characters[edit] Hina Sato (佐藤 ひな, Sato Hina) Voiced by: Ayane Sakura[1] (Japanese); Dani Chambers[3] (English) A girl who wears a veil and claims that the world will be ending in 30 days. She has a complex concerning her surname due to how common it is, and notices how Yōta and his family and friends have names related to gods.
Since it is specifically for the Spanish audience, people can
enjoy spectacular anime movies and
series without facing any issues. So, what are you still waiting for? Quickly check out this site for HD-quality anime content at your fingertips. Visit the Site FAQs What Happened to Anime Sama? Anime Sama is working and active right now, and the fans can use the platform to access all the episodes without paying anything from their pockets. Is Anime Sama Legal? Anime Sama is not a legal platform, as it does not host any files on its official platform. Moreover, they don’t deal with any pirated content. Is Anime Sama Safe? Anime Sama is a safe site for all the fans to enjoy the anime content.
