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Otherwise, the narrative wouldn’t be so unfocused and riddled with inconsequential subplots. The author should’ve simply played to his strengths of writing a fantasy epic (as flawed as it already was) instead of trying to write character-driven introspectives, since he can’t write believable characters and character dynamics. Dialogues are extremely corny and all the characters seem to have IQs on the left end of the bell curve in order for the plot to progress based on unintelligent character decisions, accidental happenings, poor character drama as well as plot conveniences as if the causality of this world flows to the tune of Rudeus. A good example of this is the embarrassing feud between Rudeus and Sara, but there isn’t a more egregious one than the entire “will-they-won’t-they” plotline between Rudeus and Sylphiette which is excruciatingly self-aggrandized into seven episodes of non-happenings between an apparently dunce MC who (still) lacks any social cues and a love interest who apparently only now is discovering the basics of life; dragged on so the finale can serve as a “reward” for the viewer because this anime knows exactly the people it caters to. The main cast is just exaggerated isomorphs of trite and vapid anime archetypes whilst most of the rest of the cast are one-notes who will typically be used for comedy relief that stops being funny the second or third time the joke is made--such as Elinalise, who's entire character revolves around sex and represents everything vulgar about the series. One might've thought Eris was the most annoying female in the series for her muscle-brained tsundere demeanour, but turns out Sylphiette and Elinalise are even worse. Seems as though every season there’s only one respectable, dynamic character in the narrative. Last season this was Ruijierd and this time it seems to be Ariel, though it's too bad she's unable to carry like the former.TL;DR: Inconsistent and mediocre production values, bad compositing, no directional finesse, dreadful and bloated storyboards, lethargic pacing, repulsive thematics, drenched in plot contrivances, good character designs with annoyingly awful character-writing and even worse character drama, extremely derivative world, infantile humour, and atrocious dialogue.
Mushoku Tensei takes a subgenre of anime culture that’s always been tawdry, packages it in a fantasy epic, and the package starts leaking and creasing to the inside contents. Any sophistication that the show suggested it might have in the first season is thrown out the window, and production values can't save it this time.
2Sales and revenue 7. 3Critical reception 7. 4Awards and accolades 8See also 9Notes 10References 11External links Toggle the table of contents One Piece (1999 TV series) 13 languages አማርኛالعربيةBoarischCebuanoDeutschEspañolفارسی한국어Bahasa Indonesiaქართულიनेपाली日本語中文 Edit links ArticleTalk English ReadEditView history Tools Tools move to sidebar hide Actions ReadEditView history General What links hereRelated changesUpload fileSpecial pagesPermanent linkPage informationCite this pageGet shortened URLDownload QR codeWikidata item Print/export Download as PDFPrintable version From Wikipedia, the free encyclopedia Japanese anime television series based on the One Piece manga series This article is about the anime series. For the live action series, see One Piece (2023 TV series). This article may misquote or misrepresent many of its sources. Please see the cleanup page for more information.
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