yu yu hakusho episodes count
Retrieved August 12, 2022. ^ "Akira Program Notes". Austin Film Society. Archived from the original on December 22, 2015. Retrieved December 22, 2015. ^ a b Director
Interview (DVD). FUNimation Entertainment. November 12, 2013. ^ a b Clements,
Jonathan (2010). Schoolgirl Milky Crisis: Adventures in the
Anime and Manga Trade. A-Net Digital LLC.
[63] The plot also combines elements of esotericism and mysticism of the Jewish Kabbalah,[65][66] including the Angels, which have common and individual features with the Angels of the religious tradition,[67] such as Sachiel, Sandalphon and Ramiel. [68][69] Assistant director Kazuya Tsurumaki stated the religious visual references were intended to make the series more "interesting" and "exotic" for a Japanese audience,[70] denying the existence of a religious meaning for the use of
Christian visual symbols in the show. [71]
According to Anno, "as the symbols are mixed together, for the first time something like an interrelationship or a meaning emerges". [72] According to Patrick Drazen, numerous allusions to the Kojiki and the Nihongi have a prominent role in Evangelion, along with the Shinto vision of the primordial cosmos and the mythical lances of the Shinto deities Izanagi and Izanami. [73] Elements of the Judeo-Christian tradition also feature prominently throughout the series, including references to Adam, Lilith, Eve, the Lance of Longinus,[74] the Dead Sea Scrolls,[75] the Kabbalistic concept of Adam Kadmon, and the Tree of Life. [73] The merging of all human souls into one through the Human Instrumentality Project at the end of the series has been compared to the Kabbalistic concept of tikkun olam. [76] The Evangelions have been likened to the golem of Jewish folklore,[46] and their visual design resembles the traditional depictions of oni, Japanese demons or ogres. [77] Neon Genesis Evangelion has been interpreted as a deeply personal expression of Hideaki Anno's own emotional struggles with depression. [46] During the production of the series, he became interested in mental illness and psychology. [52] According to him, Rei is a schizophrenic character[78] and a representation of Shinji's unconscious,[72] while Shinji has an Oedipus complex[79][80][81] and is characterized by a libido-destrudo conflict. [82] Similarly, Ritsuko has an Electra complex, in which she loves Gendo, a sort of substitute for her father figure.
[10]Toei
Animation (May 27, 2001). "太古の島! リトルガーデンに潜む影!". One Piece.
Season 2. Episode 70. Fuji TV.
