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In the first cour or two, yeah, I can understand some lapses in judgment but in season two we don't get any of those inner character shifts where he strives to become better. Moments like Paul's reunion and Rudy's bond
with Eris were very beautiful parts of the first and second cour but it seems like most of these moments are just gone in season two. Remember how I said that Rudy has no end goal? Let me tie that back here because, in season two, the
world just feels like Rudy's playground. The
inspiring story of the shut-in on his way to start fresh in another world is paused so that he can let his
degenerate fantasies of old run free with his newfound power in his new world. That sentence alone encapsulates what goes wrong with Mushoku Tensei season two. If you love Mushoku Tensei, you'll most likely love this. If you were skeptical about the first and/or second cour. You might want to steer clear of season two. Final Score: 7/10 Reviewer’s Rating: 7 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by nashyyyyyyy (82) Show allRead moreShow lessOpen Gift Report Sep 24, 2023 ANTITHE5IS Not Recommended Everything this anime was praised for in the first season--high production values, cinematic direction, extensive worldbuilding and engaging turning points--is now nonexistent as it hones in on all the things that made this a nauseatingly unpalatable work from the very beginning. The only thing that remains this season is what Mushoku Tensei has always been at its core: An unsophisticated and unprofessional generic power fantasy isekai with fetishistic eroticism as its defining characteristic.
Mushoku Tensei wants to have its cake and eat it by being a pensive fantasy epic about redemption with immersive worldbuilding whilst incorporating trashy seasonal ecchi power fantasy elements operating on hentai .
The anime's
title literally means what it says. At least in a literal sense, Tomo Aizawa is a girl. She finds it distressing that Jun perceives her as a man at all times. The show, which is based on the 4-koma, mostly uses a romantic comedy storytelling style with lots of jokes and funny scenes. Considering how lightly the anime is handled, the fan service is something you shouldn't ignore. The main objective of the anime is to make Jun and the viewers understand that Tomo is a girl and not the tomboy that everyone thinks her to be.
Though I haven't worked on anime much, viewers shouldn't be too concerned with fan service, as I previously stated. I'm not too familiar with the author. Their real concern should be whether Tomo will ever move on from his friendship with Jun or remain in it indefinitely. With Tomo's naive confession, the play
also taught me the importance of first impressions. To be honest, I'm not a big fan of romantic comedies in which it takes the whole season to determine whether or not a pair works out.
[130] Reception[edit] According to Japanese light novel news website LN News, the
series had 1 million copies in print by June 2016;[131] over 2 million by September of the
same year;[132] and over 3. 1 million by May 2017. [133] It had over 11 million copies in circulation by January 2022. [134] The overall series (light novel and manga adaptations volumes) had over 13 million copies in circulation by March 2023 (including digital versions). [135] The light novel series was the tenth best-selling light novel series in Japan between November 2015 and May 2016, selling 263,357 copies. [136] During that period, the first and second volumes were the 35th and 48th best-selling light novel volumes, selling 49,194 and 41,617 copies, respectively. [137] The series was the fourth best-selling series in 2016, selling 1,007,381 copies between November 2015 and November 2016. [138] Its first three volumes were the fourteenth, 21st, and 30th best selling volumes of the year, selling 155,363, 127,970, and 110,574 copies, respectively. [139] In 2017, the series was the third best-selling series, with 925,671 copies sold. [140] Its first, tenth, eleventh, and twelfth volumes respectively ranked nineteenth (60,135 copies), 25th (56,001 copies), seventh (101,480 copies), and twelfth (79,431 copies) in the period between November 2016 and May 2017. [141] In 2019, the series sold 550,202 copies.
